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Announcements for the following year included in some vols.
The Trouble with Nature
Lancaster provides the disproof of evolutionary stories about men, women, and the nature of desire of the heterosexual fables that pervade popular culture, from prime-time sitcoms to scientific theories about the so-called gay gene.
Henry James and Queer Modernity
In Henry James and Queer Modernity, first published in 2003, Eric Haralson examines far-reaching changes in gender politics and the emergence of modern male homosexuality as depicted in the writings of Henry James and three authors who were greatly influenced by him: Willa Cather, Gertrude Stein and Ernest Hemingway. Haralson places emphasis on American masculinity as portrayed in fiction between 1875 and 1935, but the book also treats events in England, such as the Oscar Wilde trials, that had a major effect on American literature. He traces James's engagement with sexual politics from his first novels of the 1870s to his 'major phase' at the turn of the century. The second section of this study measures James's extraordinary impact on Cather's representation of 'queer' characters, Stein's theories of writing and authorship as a mode of resistance to modern sexual regulation, and Hemingway's very self-constitution as a manly American author.
Handsome Killer
Sacramento, California 1989. Leon Sherwood arrives home from high school at the end of his junior year and discovers his parents are dead. After the funeral, a court order makes him live with his aunt, Lilly Furman, who is a spinster and considers Leon an annoyance in her life. He began his senior year at a new high school and he dreamed of going to Purdue and majoring in Engineering. Leon meets Darlene Leftish and they become lovers. When it became time to go to the senior prom, Darlene chose to go with someone else. In a fit of rage, Leon kills her. His aunt was sure he was guilty of the murder and told the police as much. Leon kills his aunt and leaves town in her car. Over the next six y...
Hemingway and Pound
Unique individuals of fiery temperament, Ernest Hemingway and Ezra Pound made an odd pair on the streets of 1920s Paris. If the elder cane-carrying Pound appeared the out-of-date poet, Hemingway was the epitome of his generation's Flaming Youth. Meeting on the high ground of art, these two literary giants formed a friendship that survived until Hemingway's death. During their short time together in Paris, Pound edited Hemingway's early work. Over decades Hemingway considered Pound a major poet and read The Cantos as they appeared in little magazines and published volumes. Eventually living in countries half a world apart, Hemingway and Pound maintained a lively and sometimes contentious correspondence. When Pound was incarcerated in America for his World War II broadcasts over Radio Rome, Hemingway played a vital role in freeing his old poet friend--the man who edited his early work, the "good game guy" whose wit and brilliance he never forgot. This narrative of a friendship lays bare the triumphs and tragedies of two giants of modern literature.
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Stein and Hemingway
This historical and biographical text explores the numerous up-and-down stages of Gertrude Stein and Ernest Hemingway's friendship, one of the most fascinating and instructive literary associations of the twentieth century. Over a span of twenty-four years, they moved from a mentor-student relationship to a rivalry between artistic peers. Despite dramatic fluctuations--of love, admiration, jealousy, resentment and name-calling--their association endured, partly because of Stein's admitted "weakness" for Hemingway and his need for her approval. By incorporating unpublished material from the Hemingway Collection at the John F. Kennedy library in Boston, the text shines new light on this famous friendship.
Ernest Hemingway
To many, the life of Ernest Hemingway has taken on mythic proportions. From his romantic entanglements to his legendary bravado, the elements of Papa’s persona have fascinated readers, turning Hemingway into such an outsized figure that it is almost impossible to imagine him as a real person. James Hutchisson’s biography reclaims Hemingway from the sensationalism, revealing the life of a man who was often bookish and introverted, an outdoor enthusiast who revered the natural world, and a generous spirit with an enviable work ethic. This is an examination of the writer through a new lens—one that more accurately captures Hemingway’s virtues as well as his flaws. Hutchisson situates He...
The Oxford Critical and Cultural History of Modernist Magazines
This volume contains 44 original essays on the role of periodicals in the United States and Canada. Over 120 magazines are discussed by expert contributors, completely reshaping our understanding of the construction and emergence of modernism.
