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A screenplay of the film, The Wizard of Oz, with directions, based on the book by Frank Baum.
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A collection of early short stories that first appeared in 1921, written in a continuous flow of consciousness and the essential indefinability of character.
Contains the script and lyrics of the film.
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As the streets that lead from the Strand to the Embankment are very narrow, it is better not to walk down them arm-in-arm. If you persist, lawyers' clerks will have to make flying leaps into the mud; young lady typists will have to fidget behind you. In the streets of London where beauty goes unregarded, eccentricity must pay the penalty, and it is better not to be very tall, to wear a long blue cloak, or to beat the air with your left hand. One afternoon in the beginning of October when the traffic was becoming brisk a tall man strode along the edge of the pavement with a lady on his arm. Angry glances struck upon their backs. The small, agitated figures—for in comparison with this couple...
Introducing Waldo Mars – former model, failed inventor, and the best finder east of Alpha Centauri, or at least Uxbridge. Waldo is impeded, rebuked and generally resented at every turn by his put-upon assistant, Rose Duvalle. And if he isn't fighting with Rose, he is having to indulge the delusions of his bizarre clientele. There's Reg, for example, who’s mislaid his Tuesday. And Tom, who’s mislaid himself. And Gerald, who’s lost a little patch of his study – just a small, cube-shaped area, right in the middle… Where do these people come from, and what Waldo wouldn’t give for a straightforward case from time to time! An amusing, intriguing and surreal set of mystery stories about a finder who frequently feels a little lost.
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The delicate artistry and lyrical prose of Woolf's novels have established her as a writer of sensitivity and profound talent. Virginia Woolf displays genuine humanity and concern for the experiences that enrich and stultify existence.