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Mary Cameron
Mary Cameron: Life in Paint' explores the fascinating story of Cameron?s life and career, charting her creative journey from elegant family portraits to breathtaking Spanish scenes. Mary Cameron (1865-1921) was an artist and woman ahead of her time. Born in Edinburgh, she began her career as a portraitist and genre painter in her native city, before venturing abroad to study in Paris. Foreign travel proved to be an enduring source of inspiration. In 1900 she visited Madrid for the first time, and was captivated by the Spanish culture, people and scenery. Establishing studios in Madrid and Seville, she executed large-scale compositions of traditional peasant life, dramatic bullfights and rural landscapes. Cameron exhibited widely, and her talents were recognised by contemporaries such as John Lavery and Alexander Roche. However, like many female artists of her generation, her name is now little-known. Exhibition: City Art Centre, Edinburgh, UK (02.11.2019-15.03.2020).
A Capital View
Edinburgh boasts one of the largest and most diverse collections of art of any city in Britain. In this book, Alyssa Poppiel features a hundred artworks from the city collection, from the Enlightenment to the present day, which feature Edinburgh and its surroundings. All are accompanied by extended captions which set the context and provide a huge amount of lively historical and anecdotal material.
No Ruined Stone
No Ruined Stone is a verse sequence rooted in the life of 18th-century Scottish poet Robert Burns. In 1786, Burns arranged to migrate to Jamaica to work on a slave plantation, a plan he ultimately abandoned. Voiced by a fictive Burns and his fictional granddaughter, a "mulatta" passing for white, the book asks: what would have happened had he gone?
Making of Classical Edinburgh
Superbly illustrated with photographs by acclaimed photographer Edwin Smith, along with a selection of contemporary images and a A15 Colin McLean, this book is a classic work of economic and social history, and a fascinating account of the shaping of one of the most beautiful cities in the world.
Street Hermit
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Art and Identity in Scotland
This lively and erudite cultural history of Scotland, from the Jacobite defeat of 1745 to the death of an icon, Sir Walter Scott, in 1832, examines how Scottish identity was experienced and represented in novel ways. Weaving together previously unpublished archival materials, visual and material culture, dress and textile history, Viccy Coltman re-evaluates the standard clichés and essentialist interpretations which still inhibit Scottish cultural history during this period of British and imperial expansion. The book incorporates familiar landmarks in Scottish history, such as the visit of George IV to Edinburgh in August 1822, with microhistories of individuals, including George Steuart, a London-based architect, and the East India Company servant, Claud Alexander. It thus highlights recurrent themes within a range of historical disciplines, and by confronting the broader questions of Scotland's relations with the rest of the British state it makes a necessary contribution to contemporary concerns.
Ages of Wonder
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The Edinburgh Group
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