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This is the first comprehensive, multidisciplinary, and multilingual bibliography on "Women and Gender in East Central Europe and the Balkans (Vol. 1)" and "The Lands of the Former Soviet Union (Vol. 2)" over the past millennium. The coverage encompasses the relevant territories of the Russian, Hapsburg, and Ottoman empires, Germany and Greece, and the Jewish and Roma diasporas. Topics range from legal status and marital customs to economic participation and gender roles, plus unparalleled documentation of women writers and artists, and autobiographical works of all kinds. The volumes include approximately 30,000 bibliographic entries on works published through the end of 2000, as well as web sites and unpublished dissertations. Many of the individual entries are annotated with brief descriptions of major works and the tables of contents for collections and anthologies. The entries are cross-referenced and each volume includes indexes.
'Partners in Wonder' explores our knowledge of women and science fiction between 1936 and 1965. It describes the distinctly different form of science fiction that females produced, one that was both more utopian and more empathetic than that of their male counterparts.
Millions of Jews, Christians, and Muslims believe that a 2,500-year-old prophecy is about to be fulfilled: a global, apocalyptic jihad of many nations against the tiny state of Israel, whose recent re-emergence in its traditional land has sparked unrelenting rage and attack. Repeated resolutions passed in the United Nations reflect world-wide and nearly unanimous hostility against the so-called Zionist entityeven to the point of denying its right to exist. Most news media and political analysts seem unaware of the ancient prophecy that not only predicts this apocalyptic war, but also, amazingly, how this prophecy by Ezekiel (chapters 3644) provides the scenario for numerous best-selling book...
Russian Leaders A Bibliography With Indexes
Balanchine and the Lost Muse is a dual biography of the early lives of two key figures in Russian ballet, in the crucial time surrounding the Russian revolution: famed choreographer George Balanchine and his close childhood friend, ballerina Liidia Ivanova.