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The Phantom Prince
The inspiration for the five-part Amazon Original docuseries Ted Bundy: Falling for a Killer This updated, expanded edition of The Phantom Prince, Elizabeth Kendall’s 1981 memoir detailing her six-year relationship with serial killer Ted Bundy, includes a new introduction and a new afterword by the author, never-before-seen photos, and a startling new chapter from the author’s daughter, Molly, who has not previously shared her story. Bundy is one of the most notorious serial killers in American history and one of the most publicized to this day. However, very rarely do we hear from the women he left behind—the ones forgotten as mere footnotes in this tragedy. The Phantom Prince chronicles Elizabeth Kendall’s intimate relationship with Ted Bundy and its eventual unraveling. As much as has been written about Bundy, it’s remarkable to hear the perspective of people who shared their daily lives with him for years. This gripping account presents a remarkable examination of a charismatic personality that masked unimaginable darkness.
Where She Danced
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Balanchine and the Lost Muse
Balanchine and the Lost Muse is a dual biography of the early lives of two key figures in Russian ballet, in the crucial time surrounding the Russian revolution: famed choreographer George Balanchine and his close childhood friend, ballerina Liidia Ivanova.
Autobiography of a Wardrobe
An offbeat portrait of a woman's life is narrated from her wardrobe's point of view, in a volume that combines personal reminiscences with a cultural and fashion history of the past five decades.
The Runaway Bride
In the 1934 classic It Happened One Night, heiress Claudette Colbert races away from the altar and a conventional marriage and throws herself into a wisecracking rough-and-tumble affair with Clark Gable. The new brand of movies following in the wake of Capra's kooky masterpiece-and the women starring in them-are the focus of Kendall's The Runaway Bride, a look at the films that mirrored the climate of the Great Depression while at the same time helping Americans get through it. Kendall details the collaborations between the romantic comedy directors and the female stars, showing how such films as Alice Adams (with Katherine Hepburn), Swing Time (where Ginger Rogers enjoys "A Fine Romance" with Fred Astaire), The Awful Truth (with Irene Dunne), and The Lady Eve (wherein Barbara Stanwyck's shapely leg repeatedly trips naïve millionaire Henry Fonda) came to be, and what they said about the 1930s. Written with erudition and enthusiasm, The Runaway Bride is a trip through some of Hollywood's most memorable moments, and a key to the national issues of an era as revealed in its films.
Literature, Journalism and the Avant-Garde
The author explores the role of journalism in Egypt in effecting and promoting the development of modern Arabic literature from its inception in the mid-nineteenth century to the present day. Remapping the literary scene in Egypt over recent decades, Kendall focuses on the independent, frequently dissident, journals that were the real hotbed of innovative literary activity and which made a lasting impact by propelling Arabic literature into the post-modern era.
Time of the Twins
A follow-up to Rebels: City of Indra follows the story of twin sisters Lex and Livia as they make a grueling journey in search of the mother they thought was dead and face a prophecy about how they might be the foreordained saviors of Indra.
American Daughter
In this beautifully crafted book, Elizabeth Kendall tells the story of a family, of a passionate attachment between a mother and a daughter and the sudden tragedy that tears it apart. American Daughter is also a brilliant portrait of wellborn women's lives in cities and towns in the post-World War II era, as Kendall evokes how difficult it was to become anything other than an American daughter, which meant being a dependent woman. Occupying a coveted place in St. Louis's privileged high society, Henry and Betty Kendall seemed to be the American dream come true: six children, a sprawling house, a legacy of higher education at Harvard and Vassar. Yet underneath lay the flawed marriage of an id...
Women in True Crime Media
While many people think true crime is a new phenomenon, Americans have been obsessed with the genre for over a century, and popular culture continuously tries to cash in. The names of infamous serial killers are well-known, but the identities of their often-female victims are frequently lost to history. This text flips the script and focuses on the women to keep their identities known and remembered. This is the first book to examine how popular culture has mistreated women as both perpetrators and victims of crime, covering a hundred-year span from 1920 to 2020. Detailed is popular culture's interest in true crime and how women in true crime documentation have largely been sexualized and victim-blamed over the decades.
After Saturday Comes Sunday
The post-Christian West is in decline, revived Islam is on the rise, and Mesopotamia (Syria-Iraq), the cradle of civilization, has become ground zero in a battle for civilization. Despised as infidels (unbelievers) and kafir (unclean), Mesopotamia's indigenous Christian peoples are targeted by fundamentalist Muslims and jihadists for subjugation, exploitation, and elimination. Pushed deep into the fog of war, buried under a mountain of propaganda, and rendered invisible by a shroud of silence, they are betrayed and abandoned by the West's "progressive" political, academic, and media elites who cling to utopian fantasies about Islam while nurturing deep-seated hostility towards Christianity. If they are to survive as a people in their historic homeland, the Christians of Mesopotamia will need all the help they can get. If Western civilization is to survive as a force in its historic heartland (Europe), then we had better start seeing, hearing, and believing the Christians of the Middle East, for their plight prefigures our own.
