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Binocular Vision
'The best short story writer in the world' Susan Hill 'This book is a spectacular literary revelation' Sunday Times The collected stories of an award-winning, modern classic American writer who has been compared to Alice Munro, John Updike – and even Anton Chekhov Tenderly, incisively, Edith Pearlman captured life on the page like no one else. Spanning forty years of writing, moving from tsarist Russia to the coast of Maine, from Jerusalem to Massachusetts, these astonishing stories reveal one of America's greatest modern writers. Across a stunning array of scenes-an unforeseen love affair between adolescent cousins, an elderly couple's decision to shoplift, an old woman's deathbed confess...
Honeydew
'Prepare to be dazzled. Edith Pearlman's latest, elating work confirms her place as one of the great modern short-story writers' Sunday Times 'A genius of the short story' Guardian 'A moreish treat from a master of the form' New Statesman 'This majestic new collection is cause for celebration' Scotsman 'A fortifying pleasure to read' Financial Times 'One of the most essential short-story visionaries of our time' New York Times Over the last few decades, Edith Pearlman has staked her claim as one of the great short-story writers. The stories in Honeydew are unmistakably by Pearlman; whole lives in ten pages. They are minutely observant of people, of their foibles and failings, but also of their moments of kindness and truth. Whether the characters are Somalian women who've suffered circumcision, a special child with pentachromatic vision or a staid professor of Latin unsettled by a random invitation to lecture on the mystery of life and death, Pearlman knows each of them intimately and reveals them with generosity.
Vaquita and Other Stories
• Winner of the 1996 Drue Heinz Literature Prize When asked to describe her short stories, Edith Pearlman replied that they are stories about people in peculiar circumstances aching to Do The Right Thing. She elaborated with the same wit and intimacy that make her stories a delight to read:"Before I was a writer I was a reader; and reading remains a necessary activity, occupying several joyous hours of every day. I like novels, essays, and biographies; but most of all I like the short story: narrative at its most confiding. "My own work, and particularly the stories in Vaquita, aims at a similar intimacy between writer and reader. My imagined reader wants to know who loves whom, who drinks...
Love Among the Greats and Other Stories
A collection of short stories by Edith Pearlman.
How to Fall
Chosen by Joanna Scott as winner of the 2003 Mary McCarthy Prize in Short Fiction.
Hint Fiction: An Anthology of Stories in 25 Words Or Fewer
Collects more than one hundred short stories, each with no more than twenty-five words.
A Town of Empty Rooms
Karen E. Bender burst on to the literary scene a decade ago with her luminous first novel, Like Normal People, which garnered remarkable acclaim. A Town of Empty Rooms presents the story of Serena and Dan Shine, estranged from one another as they separately grieve over the recent loss of Serena's father and Dan's older brother. Serena's actions cause the couple and their two small children to be banished from New York City, and they settle in the only town that will offer Dan employment: Waring, North Carolina. There, in the Bible belt of America, Serena becomes enmeshed with the small Jewish congregation in town led by an esoteric rabbi, whose increasingly erratic behavior threatens the future of his flock. Dan and their young son are drawn into the Boy Scouts by their mysterious and vigilant neighbor, who may not have their best intentions at heart. Tensions accrue when matters of faith, identity, community, and family all fall into the crosshairs of contemporary, small–town America. A Town of Empty Rooms presents a fascinating insight into the lengths we will go to discover just where we belong.
The End of the Point
Longlisted for the 2013 National Book Award for Fiction Ashaunt Point, Massachusetts, has anchored life for generations of the Porter family, who summer along its remote, rocky shore. But in 1942, the U.S. Army arrives on the Point, bringing havoc and change. That summer, the two older Porter girls—teenagers Helen and Dossie—run wild while their only brother, Charlie, goes off to train for war. The children’s Scottish nurse, Bea, falls in love. And youngest daughter Janie is entangled in an incident that cuts the season short. An unforgettable portrait of one family’s journey through the second half of the twentieth century, Elizabeth Graver’s The End of the Point artfully probes the hairline fractures hidden beneath the surface of our lives and traces the fragile and enduring bonds that connect us.
The Office
Discover "The Office reboot fans never knew they needed" with this kid-friendly adaptation of everyone's favorite workplace comedy (Entertainment Weekly).Michael Scott is Line Leader at Dunder Mifflin Elementary! It's a very big job, but Michael is sure he can live up to the "World's Best Line Leader" title printed on his water bottle. There's just one problem--Michael doesn't know how to lead the line. Filled with colorful, detailed illustrations and brimming with Easter eggs and nods to iconic moments from the show, this hilarious reimagining features a pint-sized cast. The story will introduce The Office to a whole new generation and will teach them that everyone needs to ask for help sometimes. Even Line Leaders.The Office is a trademark and copyright of Universal Content Productions LLC. Licensed by Universal Studios 2020. All Rights Reserved.
Cutting Rhythms
How does a film editor make decisions about where and when to cut in order to make a film 'feel right'? Generally speaking, the answer is, 'it's intuitive', which is accurate but leaves one wanting to know more. Cutting Rhythms breaks down the definition of intuition to find that, even if rhythmic thinking is intuitive thinking, we can still say more than we 'just know.' This book offers possibilities rather than prescriptions. It presents questions an editor or filmmaker can ask themselves about their work, and a clear and useful vocabulary for working with those questions. Cutting Rhythms makes ideas about rhythm in film editing clear and accessible, so that you can do more than just imitate editing you've seen on TV. With this book you'll develop your own sense of rhythm, refine our rhythmic shaping skills, and increase your creativity--and in so doing, become a better filmmaker.
