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Edie and Victor Turner were among the most influential researchers in the 20th century. Together they raised the idea of participant observation to heights most anthropologists never achieve. These memoirs are a testimony to a remarkable partnership and to Edie Turner's own achievements after Victor's death.
Communitas is inspired fellowship; a group's pleasure in sharing common experiences; being 'in the zone' - as in music, sport, and work; the sense felt by a group when their life together takes on full meaning. The experience of communitas, almost beyond strict definition and with almost endless variations, often appears unexpectedly.
In 2016, Edith Turner passed away. She left behind an intellectual legacy that, together with her husband, Victor Turner, transformed modern anthropology. This edited collection focuses on Victor and Edith Turner’s significant theoretical contributions, including their work on communitas, liminality, pilgrimage, friendship, fieldwork, self-reflection, affective culture, religion, spirits, and faith. This collection includes retrospectives on the personal lives of Edith and Victor, as provided by their son; a close look at Edith’s work on last rites, for which she studied and contemplated her own demise; an examination of Edith’s faith and belief system in light of her personal research...
Originally published: 1978, in series: Lectures on the history of religions; new ser., no. 11. With new introd.
Experiencing Ritual is Edith Turner's account of how she sighted a spirit form while participating in the Ihamba ritual of the Ndembu. Through her analysis, she presents a view not common in anthropological writings—the view of millions of Africans—that ritual is the harnessing of spiritual power.
The contributors gathered here revitalize “ethnographic performance”—the performed recreation of ethnographic subject matter pioneered by Victor and Edith Turner and Richard Schechner—as a progressive pedagogy for the 21st century. They draw on their experiences in utilizing performances in a classroom setting to facilitate learning about the diversity of culture and ways of being in the world. The editors, themselves both students of Turner at the University of Virginia, and Richard Schechner share recollections of the Turners’ vision and set forth a humanistic pedagogical agenda for the future. A detailed appendix provides an implementation plan for ethnographic performances in the classroom.
In the twenty years following Victor Turner's death, interventions on the interconnected performance modes of play, drama, and community (dimensions of which Turner deemed the limen), and experimental and analytical forays into the anthropologies of experience and consciousness, have complemented and extended Turnerian readings on the moments and sites of culture's becoming. Examining Turner's continued relevance in performance and popular culture, pilgrimage and communitas, as well as Edith Turner's role, the contributors reflect on the wide application of Victor Turner's thought to cultural performance in the early twenty-first century and explore how Turner's ideas have been re-engaged, renovated, and repurposed in studies of contemporary cultural performance.
This book is a history of the relationship between the discipline of anthropology and the Christian faith. It explores how leading anthropologists have come to believe that ethnographic findings and evidence made Christianity no longer tenable.
No detailed description available for "Creativity/Anthropology".