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Spirit Into Matter
  • Language: en
  • Pages: 180

Spirit Into Matter

  • Categories: Art

Edmund Teske (1911-1996) was one of the alchemists of twentieth-century American photography. Over a sixty-year period, he created a diverse body of work that explored the expressive and emotional potentials of the medium. His drive to experiment with sophisticated techniques, such as solarization and composite printing, liberated a younger generation of American photographers; at the same time, his subject matter-sometimes abstract, often homoerotic, and always lyrical and poetic-opened up new areas for photographers to explore. Spirit into Matter is published to coincide with the first major retrospective of Teske's work, to be held at the Getty Museum from June 15 to September 19, 2004. J...

Edmund Teske
  • Language: en
  • Pages: 56

Edmund Teske

  • Type: Book
  • -
  • Published: 2003
  • -
  • Publisher: Unknown

None

Edmund Teske
  • Language: en

Edmund Teske

  • Type: Book
  • -
  • Published: 1974
  • -
  • Publisher: Unknown

None

Images from Within
  • Language: en
  • Pages: 98

Images from Within

  • Type: Book
  • -
  • Published: 1980
  • -
  • Publisher: Unknown

None

Edmund Teske
  • Language: en
  • Pages: 46

Edmund Teske

  • Type: Book
  • -
  • Published: 1974
  • -
  • Publisher: Unknown

None

The Thrill of the Chase
  • Language: en
  • Pages: 248

The Thrill of the Chase

Samuel J. Wagstaff Jr. (1921–1987) amassed an extraordinary collection of 26,000 photographs between 1973 and 1984, recognizing that photography was an undervalued art form on which he might have a profound impact as a collector. He was mainly attracted to photographs that stimulated his imagination, and his taste ran toward the idiosyncratic—images that surprised him chiefly because he had never seen them before. In choosing the 147 works reproduced in this volume, Paul Martineau selected masterpieces as well as images from obscure sources: daguerreotypes, cartes-de-visite, and stereographs, plus mug shots, medical photographs, and works by unknown makers. The latter category contains s...

The Lizard King
  • Language: en
  • Pages: 320

The Lizard King

Jim Morrison, lead singer of the Doors, has achieved a bizarre cult status since his death in 1971. Morrison was one of the most popular and controversial figures to emerge during the sixties; described as an 'erotic politician', poet, shaman, Dionysian drunk, his style and influence have grown steadily in the twenty years since his death, so that the real man has gradually disappeared behind the legend. Now, in The Lizard King: The Essential Jim Morrison, Morrison's biographer Jerry Hopkins, co-author of No One Here Gets Out Alive, reassesses Jim's life and provides fresh insights into him as a human being rather than the myth that he has become. But this reassessment is only part of this r...

Semina Culture
  • Language: en
  • Pages: 392

Semina Culture

  • Categories: Art

Edited by Michael Duncan and Kristine McKenna. Essays by Michael Duncan and Kristine McKenna and Stephen Fredman.

Looking for Los Angeles
  • Language: en
  • Pages: 344

Looking for Los Angeles

In Looking for Los Angeles 12 contributors present their responses to the world's newest major city. A variety of perspectives and approaches are covered. The text balances the importance of place with the importance of culture.

Light, Paper, Process
  • Language: en
  • Pages: 184

Light, Paper, Process

From its beginnings, photography has been shaped by the desire to understand and explore the essence of the medium. Light, Paper, Process features the work of seven artists—Alison Rossiter, Marco Breuer, James Welling, Lisa Oppenheim, Chris McCaw, John Chiara, and Matthew Brandt—who investigate the possibilities of analog photography by finding innovative, surprising, and sometimes controversial ways to push light-sensitive photographic papers and chemical processing beyond their limits. A panoply of practices emerges in the work of these artists. Some customize cameras with special lenses or produce images on paper without a camera or film. Others load paper, rather than film, in the ca...