You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
'the one-stop guide to Mahler -- a volume of essays covering the widest range of Mahlerian topics, designed both for the academic and serious amateur music-lover... The core of the compendium is its coverage of all the main works, carrying recent research, with plentiful musical examples and other illustrations.' -Andrew Green, Classical Music 08/11/1999'beautifully produced volume... a tribute that surveys the familiar with affectionate new insights... all the articles on Mahler's reception outside Austria, both during his life and after, make for fascinating reading.' -David Nice, BBC Music Magazine October 1999'The Mahler Companion constitutes a distinguished and fitting monument to Mitch...
A celebration and exploration of a monumental achievement
Socio-cultural criticism is the continuous assessment and evaluation of developments within democratic society and hence a vital ingredient of democracy itself. Departing from the French Revolution, this study focuses upon a tradition of European criticism. On the whole, critics accepted that technological advance was irreversible but they opposed the assumption that this implied general progress. Instead, they stressed the negatives: class conflict, erosion of tradition, mechanization of life, fragmentation of society, loss of cultural differentiation. The approach is exclusively text-orientated. The result is a multi-coloured mosaic depicting an image of what has moved, confused or dismayed the European mind over a period of a century and a half. The intensity of concern has shaped our contemporary thought, awareness and outlook.
"Hundreds of the letters that Gustav Mahler addressed to his parents and sisters survive, yet they have remained virtually unknown. Spanning the mid-1880s through 1910, the letters record the excitement of a young man with a burgeoning career as a conductor and provide a glimpse into his day-to-day activities rehearsing and conducting operas and concerts in Budapest and Hamburg, and composing his first symphonies and songs. On the private side, they document his parents' illnesses and deaths and the struggles of his siblings Alois, Justine, Otto, and Emma." "The letters also give Mahler's impressions of contemporaries such as Johannes Brahms, Richard Strauss, and Hans von Bulow, as well as h...
The opening chapter, "Background: Mahler's symphonic worlds before 1908," sets the stage for a study of the work's genesis, a summary of the most important critiques of the premiere, and a careful reading of this six-movement symphony for voices and orchestra. An appendix provides an interlinear translation that makes Mahler's superb treatment of texts accessible to readers with little or no knowledge of German."--Jacket.
Few people these days would question Mozart's rating as the most popular of all classical composers. Yet there exists no substantial, up-to-date English-language study of the man and his works. In this new study of Mozart's early years, Stanley Sadie aims to fill this gap in the form of a traditional biography on a straightforward chronological basis. The volume covers the period up to 1781, the year of Idomeneo and Mozart's settling in Vienna. Individual works are discussed in sequence and related to the events of his life. Stanley Sadie draws substantially on the family correspondence, quoting the letters and discussing what they tell us about Mozart and his world and his relationships wit...
This volume is the 10th issue of Variants. In keeping with the mission of the European Society for Textual Scholarship, the articles are richly interdisciplinary and transnational. They bring to bear a wide range of topics and disciplines on the field of textual scholarship: historical linguistics, digital scholarly editing, classical philology, Dutch, English, Finnish and Swedish Literature, publishing traditions in Japan, book history, cultural history and folklore. The questions that are explored — what texts are worth editing? what is the nature of the relationship between text, work, document and book? what is a critical digital edition? — all return to fundamental issues that have ...
Politics and Cultures of Liberation: Media, Memory, and Projections of Democracy focuses on mapping, analyzing, and evaluating memories, rituals, and artistic responses to the theme of “liberation.” How is the national framed within a dynamic system of intercultural contact zones highlighting often competing agendas of remembrance? How does the production, (re)mediation, and framing of narratives within different social, territorial, and political environments determine the cultural memory of liberation? The articles compiled in this volume seek to provide new interdisciplinary and intercultural perspectives on the politics and cultures of liberation by examining commemorative practices, artistic responses, and audio-visual media that lend themselves for transnational exploration. They offer a wide range of diverse intercultural perspectives on media, memory, liberation, (self)Americanization, and conceptualizations of democracy from the war years, through the Cold War era to the 21st century.
David Friddle explores choral methods and community choral ensembles that originated in the nineteenth century. Using more than one hundred musical examples, illustrations, tables, and photographs, he documents the expansion of choral singing beginning in the early 1800s.