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The signing of the Gdansk Agreements in August 1980 signaled the birth of the Solidarity independent trae union movement. The sixteen months that followed until the December 1981 declaration of martial law remain one of the most fascinating chapter in the history of communist states. But the events of August 1980 did not materialize from thin air. The groundwork for Solidarity was prepared five years before when a group of dissident intellectuals gathered to boldly proclaim their solidarity with persecuted workers at Random and Ursus. This group called itself the Komitet Obrony Robotnikow (KOR) or the Worker's Defense Committee. What was KOR? What were the social and political circumstances ...
Memoirs of a Jew born in Grodno, Poland (now Hrodna, Belarus) in 1930. Describes antisemitic childhood experiences and the German occupation in 1941, followed by anti-Jewish laws. In 1941 Blumstein, his parents, and his elder brother were interned in the Grodno ghetto. In 1943 they escaped from the ghetto and, aided by Dr. Antoni Docha, a family friend, went into hiding with the Staniewska family on a farm in Staniewicze, where they remained until their liberation in 1944. They returned to Grodno, then moved to Lodz, and in 1947 immigrated to France.
Monograph describing recent social movements in Poland, with particular reference to the 'Solidarnosc' trade union - presents movements created in rural areas and urban areas in view of defending civil rights, human rights, trade union rights, the right to national level independence, etc., and includes documents. Bibliography pp. 625 to 627 and references.
Emanates from the author's thesis, drawing on government and parliamentary documents, official journals, records of meetings with international authorities, and interviews of people engaged in human rights. Examines the factors affecting Poland's foreign policy regarding human rights, the process of self-determination, and relations with the country's immediate neighbours. Gives the ILO Conventions adopted and those awaiting ratification.
This book offers a broad, comprehensive overview of the contemporary state of the Gardzienice theatrical company and its evolution. Their most recent production, The Wedding, is taken as a focal point for a retrospective discussion on the company’s development. Premiered at the festival celebrating the 40th anniversary of the company, The Wedding echoes most of the major achievements of Staniewski’s stage language and his capacity of exploring and developing the performative potential of liveness. This study consists of essays by prominent practitioners and theoreticians of theatre, director’s notes, conversations with Staniewski and other company members, selected archival materials and substantial visual coverage. It promises to be of great interest to students and scholars across the fields of theatre and performance studies.