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This book, first published in 1987, was the first major survey of the links between the visual arts and pop music over the last thirty years. It brings to light the ideas, styles and people who have influenced both the look of pop and the shape of art. It examines how pop uses art movements like Dada, Futurism and Surrealism in everything from the design of album covers to the creation of a group’s look, stage act and video; how art uses pop, as a subject for painting, sculpture and design; the vital role of the British art school connection; and collaborations and cross-overs – between the visual arts and groups, musicians and movements.
Foreword: selective list of exhibitions and publications from the arts council collection between 1984 and 1988: list of purchasers: 60pp. 306 illus. 22x22cm.
Drawing has become the pre-eminent tool of both experimental and traditional art. The long-term definition of drawing as marks on paper is now seen as too limiting; it can range from the humblest doodle to monumental land lines. It is the medium used by artists as various as the painter John Walker, the land artist Richard Longt, the one-time minimalist Sol Le Witt and the young figure sculptor Antony Gormley. The last 20 years have witnessed the re-emergence of drawing and its importance to artists: the return to the life room sparked off by the preoccupation of R.B. Kitaj; the legacy of abstraction with the rich achievements of artists such as De Kooning, Twombly, Johns, Marden and Penck; the explosion of work that extended the meaning of drawing and the crucial influence of drawing on the new image painters of the 1980's, most notably Clemente, Paladino, Kiefer and Le Brun. "Drawing Today" is complemented by an assortment of attractive colour illustrations.
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