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Centro de investigación y Acción Psicosocial Comunitaria, diálogos sobre la gestión y transformación social
Centro De Investigación y Acción Psicosocial Comunitario CIAPSC tiene ya su 4ª versión de publicación de libro de divulgación. El que permite visibilizar la producción de los grupos de investigación de la zona sur. Uno de los propósitos del Centro De Investigación y Acción Psicosocial Comunitario CIAPSC, ha sido articulado al Proyecto Académico Pedagógico Solidario (PAPS) de la UNAD, dentro de ello el desarrollo de la investigación a nivel regional y brindar herramientas para otras áreas, centros y acciones. Esto permite visibilizar la zona sur, y la universidad UNAD como una institución con gran experiencia en la producción del conocimiento científico, el acompañamiento s...
Centro de investigación y acción psicosocial comunitaria
Desde 2020, las condiciones sociales, políticas y de bienestar en el mundo se han visto vulneradas dada la pandemia del COVID-19, que le ha costado la vida a más de cinco millones de personas, y millones más han caído en la pobreza, de acuerdo con las cifras de la Organización Mundial de la Salud (OMS) para diciembre de 2021, esto sin especificar las problemáticas sociopolíticas que se levantan en Colombia en el 2021 y que desencadenaron luchas sociales que impactaron vidas, economía, y otros ámbitos en un país que tiene un largo camino para construir paz y transformar la cultura de la guerra. Sin embargo, también ha creado los retos que ha llevado a la ciencia, la academia y los ...
Centro de investigación acción psicosocial comunitaria
El Centro de Investigación y Acción Psicosocial Comunitaria (CIAPSC) desde la Universidad Nacional Abierta y a Distancia (UNAD) en su zona sur y para Colombia se complace en presentar al lector un segundo volumen de producción investigativa, reflexiva y con proyección social. La nueva década inició llena de retos para la humanidad: un 2020 que aparece con una pandemia a raíz del COVID-19 devela las debilidades sociales, políticas, de salud, de trabajo y educación, un problema estructural para el que no estaban preparadas las sociedades, pero que también hace visible las potencialidades de las instituciones de educación superior como la UNAD, la más grande entre públicas y privad...
Self Portrait in Green
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
Home Reading Service
In this poignant novel, a man guilty of a minor offense finds purpose unexpectedly by way of his punishment—reading to others. After an accident—or “the misfortune,” as his cancer-ridden father’s caretaker, Celeste, calls it—Eduardo is sentenced to a year of community service reading to the elderly and disabled. Stripped of his driver’s license and feeling impotent as he nears thirty-five, he leads a dull, lonely life, chatting occasionally with the waitresses of a local restaurant or walking the streets of Cuernavaca. Once a quiet town known for its lush gardens and swimming pools, the “City of Eternal Spring” is now plagued by robberies, kidnappings, and the other myriad ...
Annuaire Tľp̌honique
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New Visions of Adolescence in Contemporary Latin American Cinema
This volume explores the recent ‘adolescent turn’ in contemporary Latin American cinema, challenging many of the underlying assumptions about the nature of youth and distinguishing adolescence as a distinct and vital area of study. Its contributors examine the narrative and political potential of teenage protagonists in a range of recent films from the region, acknowledging the distinct emotional registers that are at play throughout adolescence and releasing teenage subjectivities from restrictive critical and theoretical emphases on theories of childhood. As the first academic study to examine the figure of the adolescent in contemporary Latin American film, New Visions of Adolescence in Contemporary Latin American Cinema thus presents a timely and innovative analysis of issues of sexuality and gender, political and domestic violence and social class, and will be of significant interest to students and researchers in Latin American Studies, Cultural Studies, World Cinema and Childhood Studies.
The Last Children of Tokyo
Yoshiro thinks he might never die. A hundred years old and counting, he is one of Japan's many 'old-elderly'; men and women who remember a time before the air and the sea were poisoned, before terrible catastrophe promted Japan to shut itself off from the rest of the world. He may live for decades yet, but he knows his beloved great-grandson - born frail and prone to sickness - might not survive to adulthood. Day after day, it takes all of Yoshiro's sagacity to keep Mumei alive. As hopes for Japan's youngest generation fade, a secretive organisation embarks on an audacious plan to find a cure - might Yoshiro's great-grandson be the key to saving the last children of Tokyo?
Empty Wardrobes
A previously untranslated classic of Portuguese feminist literature originally published in 1978, Carvalho's Empty Wardrobes introduces English-speaking readers to a forgotten and underappreciated woman writer a la recent publishing sensations Lucia Berlin, Natalia Ginzburg, Ingeborg Bachmann, Silvina Ocampo, and Armonia Somers. Empty Wardrobes is a tightly plotted, highly entertaining read, that, thanks to an ingenious detached narrative technique (one that makes the plot all the more fun to revisit and rethink), is both darkly humorous and devastatingly true.
