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A new collection of essays which challenges many existing assumptions, particularly the conventional models of separate spheres and economic change. All the essays are specifically written for a student market, making detailed research accessible to a wide readership and the opening chapter provides a comprehensive overview of the subject describing the development of gender history as a whole and the study of eighteenth-century England. This is an exciting collection which is a major revision of the subject.
Based on wide-ranging, original research into political, personal, and general correspondences across a period of significant social and political change, this book explores the gendered nature of politics and political life in eighteenth-century England by focusing on the political involvement of female members of the political elite. Elaine Chalus challenges the notion that only exceptional women were involved in politics, that their participation was necessarily limited and indirect, and that their involvement was inevitably declining after the 1784 Westminster Election. While exceptional women did exist and gender did condition women's participation, the personal, social, and particularl...
A wide-ranging, thematic survey of women's history in Britain in the 18th and early 19th centuries, with chapters written by both well-established writers and new and dynamic scholars in a thorough and well-balanced selection.
Based on wide-ranging, original research into political, personal, and general correspondences across a period of significant social and political change, this book explores the gendered nature of politics and political life in eighteenth-century England by focusing on the political involvement of female members of the political elite. Elaine Chalus challenges the notion that only exceptional women were involved in politics, that their participation was necessarily limited andindirect, and that their involvement was inevitably declining after the 1784 Westminster Election. While exceptional women did exist and gender did condition women's participation, the personal, social, and particularly...
Towns are imagined, lived and experienced, as much as they are conceived and constructed. They reflect cultural and intellectual currents, prevailing economic climates and unresolved tensions. They are physical entities, shaped by topography, time and technology, as well as social and spatial constructs. They are also always gendered and contested spaces. This volume, the last from the Gender in the European Town (GENETON) project, approaches life in the European town over time and across class and national boundaries. Through contextualized case studies, it provides scholars and students with new research--snapshots--of contemporary physical and built environments that explores how contemporary urban residents experienced and deployed gendered urban spaces over an important period of modernization.
This volume brings together a diverse selection of the latest academic research in the field of naval history. No longer confined to analyses of ships and battles, it is the first publication to capture a new form naval history that engages with race, sexuality, gender, material culture, popular culture and fine art. Edited by two leading historians of the Royal Navy, it will become a defining book in the field.
An examination of the interaction between ideology and experience in the lives of English women during a period of great social and intellectual change. Focusing on the complex relationship between discourse and experience, Women of Quality examines the role of gender in aristocratic women's daily lives during a period of significant cultural change. In the years followingthe Glorious Revolution, didactic writers and other social critics responded to a perceived crisis of gender relations by creating a new discourse of 'natural' feminine behavior in opposition to the luxury and decadence of fashionable women. Modern scholars have often portrayed this agenda as representing the rise of a midd...
Women are shown to have played an important and very visible role in society at the time. Fashionable "polite" society of this period emphasised mixed-gender sociability and encouraged the visible participation of elite women in a series of urban, often public settings. Using a variety of sources (both men's and women's correspondence, accounts, bills, memoirs and other family papers), this book investigates the ways in which polite social practices and expectations influenced the experience of elite femininity in Scotland in the eighteenth century. It explores women's education and upbringing; their reading practices; the meanings of the social spaces and activities in which they engaged and how this fed over into the realm of politics; and the fashion for tourism at home and abroad. It also asks how elite women used polite social spaces and practices to extend their mental horizons and to form a sense of belonging to a public at a time when Scotland was among the most intellectually vibrant societies in Europe.
The late seventeenth and early eighteenth century was a period of great social and political change within Ireland, as the Protestant Ascendancy gained control of the country, aided by the English government and aristocracy, withwhom the ruling class in Ireland mixed through marriage and travel. The resulting Anglo-Irish elite, with its distinct transnational identity, differed markedly from the preceding Irish elite, but, at the same time, because of itsIrish dimension, was very different also from the contemporary English and Scottish upper classes. Women played key roles in this Anglo-Irish elite, and the nature of the Protestant Ascendancy can only be completely understood byconsidering ...
This study throws light on a little-studied but emerging field within Irish studies: Black history. It focuses on an American-born Black Shakespearean actor, Ira Aldridge, who, to follow his vocation and escape prejudice in America, travelled to England in 1824, aged only 17. Despite some racial stereotyping, his rise to prominence in the theatrical world was meteoric. Until his premature death in 1867, he played to audiences throughout Europe—from Galway in Ireland to St Petersburg in Russia—winning plaudits and accolades, and recognition as the leading Shakespearean tragedian of the day. Aldridge was not just an actor; wherever he performed, he also delivered a message about the cruelty of enslavement and the need for Black equality. This publication focuses on Aldridge’s special relationship with Ireland and its theatrical traditions over a period of three decades.