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Amidst great mystery, Hugh is left in the care of Glastonbury Abbey by his father who must flee England too swiftly to be burdened by a crippled son. Ashamed of his physical weakness, yet possessed of a stout heart, Hugh finds that life at the abbey is surprisingly full in this year 1171, in the turbulent days of King Henry II. Hugh, his friend Dickon and their strange friend, the mad Bleheris, uncover a treasure trove and with it a deeper mystery of the sort that could only occur in Glastonbury where Joseph of Arimithea was said to have lived out his last years. Before all is done, more is resolved than Hugh could ever have hoped. A Newbery Honor winner. Illustrated by Frederick Chapman.
Mystery surrounds the young peasant boy known as Big John. Raised during the strife-filled days of the reign of King John of England, his life is one day changed when a knight says, in passing, “You remind me of someone—someone I once knew and loved.” It is from “Old Marm,” the herb woman, that John understands that injustice has been done his family. Though never telling him the family name lest he unwittingly betray himself, she does all she can to prepare him to one day reclaim his name and family honor. Then Old Marm dies, and John is left without a clue to his identity. In the next years John’s unusual size and strength and the knowledge he has gained of letters and of the art of healing earn him a place as page to an earl organizing the 5th Crusade. In the Holy Land John searches for a father he hopes is living still. Amidst battle, capture and setbacks, John—now a squire to a Knight Hospitaller—encounters Francis of Assisi, who had come to the Holy Land just at this time to preach the Gospel to the Saracens. It is another meeting that changes the course of Big John’s life. . Illustrated by Frederick T. Chapman.
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Art & Today is an innovative and extensive survey of international contemporary art from the 1980s to the present. Over four hundred of the most significant contemporary artists from around the world are represented in this comprehensive overview - some emerging, some mid-career, and others long established. Each of the book's sixteen chapters address recurring and relevant themes as diverse as "Art & Popular Culture," "Art & Its Institutions," and "Art & Globalism," rather than follow a strict chronological, geographical, or stylistic structure. Lively and up-to-date, Art & Today explores an era in which art defies simple categorization. The result is a surprising and original yet clear and...
Conan, a young squire in twelth-century Burgundy, is determined to find a way to defeat the fearsome Sauval brothers, a pair of robber barons who pillage and terrorize the local countryside.
This volume is an introduction to the intellectual movement known as Postmodernism and its impact on the visual arts. In clear, jargon-free language, Eleanor Heartney situates Postmodernism historically, showing how it developed both in reaction to and as a result of some of the fundamental beliefs underlying Modernism, especially its positivist, universalizing aspects. She then analyzes paradigmatic Postmodern works of art by artists such as Cindy Sherman, Sherrie Levine, Jeff Koons and Robert Mapplethorpe. Postmodernism provides a concise and articulate overview of the Postmodern phenomenon. Eleanor Heartney is a contributing editor for Art in America, New Art Examiner, and Art Press. In 1991, she was the recipient of the Frank Jewett Mather Award for Distinction in Art Criticism. Heartney is a board member of the American section of the AICA. She is also the author of Critical Condition: American Culture at the Crossroads (Cambridge, 1997). She lives in New York.
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"Why Have There Been No Great Women Artists?" asked the prominent art historian Linda Nochlin in a provocative 1971 essay. Today her insightful critique serves as a benchmark against which the progress of women artists may be measured. In this book, four prominent critics and curators describe the impact of women artists on contemporary art since the advent of the feminist movement.
When Tom is sent to stay at his aunt and uncle's house for the summer, he resigns himself to endless weeks of boredom. As he lies awake in his bed he hears the grandfather clock downstairs strike . . .eleven . . . twelve . . . thirteen . . . Thirteen! Tom races down the stairs and out the back door, into a garden everyone told him wasn't there. In this enchanted thirteenth hour, the garden comes alive - but Tom is never sure whether the children he meets there are real or ghosts . . . This entrancing and magical story is one of the best-loved children's books ever written.