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The nine elegies have all been edited separately between 1933 and 1983. Klinck builds on the extensive previous scholarship in the field and also draws on recently available materials - notably the microfiche Concordances, the first letters of the new Old English Dictionary, and Bruce Mitchell's Old English Syntax - to make new suggestions about problematic words and passages. Going beyond an exploration of the literary potential of individual poems, Klinck examines them as separate manifestations of a common generic impulse: she moves from palaeographical and philological detail to broader literary and cultural considerations and, finally, to a definition of Old English elegy.
Latin love elegy is one of the most important poetic genres in the Augustan era, also known as the golden age of Roman literature. This volume brings together leading scholars from Australia, Europe and North America to present and explore the Greek and Roman backdrop for Latin love elegy, the individual Latin love elegists (both the canonical and the non-canonical), their poems and influence on writers in later times. The book is designed as an accessible introduction for the general reader interested in Latin love elegy and the history of love and lament in Western literature, as well as a collection of critically stimulating essays for students and scholars of Latin poetry and of the classical tradition.
Interdisciplinary in approach and methodologically sophisticated, this book explores the dynamic reception of Latin erotic elegy in Renaissance love poetry.
A classic college textbook containing a judicious selection from the whole field of Roman elegy, with introductory matter and English commentary. It helps the student obtain a general acquaintance with Roman elegiac poetry, and features the writings of Catullus, Tibullus, Propertius and Ovid.
These ardent, even obsessed, poems about erotic passion are among the brightest jewels in the crown of Latin literature. Written by Propertius, Rome's greatest poet of love, who was born around 50 b.c., a contemporary of Ovid, these elegies tell of Propertius' tormented relationship with a woman he calls "Cynthia." Their connection was sometimes blissful, more often agonizing, but as the poet came to recognize, it went beyond pride or shame to become the defining event of his life. Whether or not it was Propertius' explicit intention, these elegies extend our ideas of desire, and of the human condition itself.
An examination of the nature and function of pastoral elegies in post-1960 British and Irish poetry.
Poems over the ages lamenting the dead. In Elegy for Himself, written in the London Tower before his execution, Chidiock Tichborne wrote: "My tale was heard, and yet it was not told; / My fruit is fall'n, and yet my leaves are green; / My youth is spent, and yet I am not old; / I saw the world and yet I was not seen."
** WINNER OF THE LAUREL PRIZE 2021 ** **A SPECTATOR AND IRISH TIMES BOOK OF THE YEAR 2020** **SHORTLISTED FOR THE SUNDAY TIMES / UNIVERSITY OF WARWICK YOUNG WRITER OF THE YEAR AWARD 2020** **SHORTLISTED FOR THE JOHN POLLARD FOUNDATION INTERNATIONAL POETRY PRIZE 2021** **SHORTLISTED FOR THE DALKEY LITERARY EMERGING WRITER OF THE YEAR AWARD 2021** A remarkable first collection by an important new poet In this collection, Seán Hewitt gives us poems of a rare musicality and grace. By turns searing and meditative, these are lyrics concerned with the matter of the world, its physicality, but also attuned to the proximity of each moment, each thing, to the spiritual. Here, there is sex, grief, and...
Not much can be known about the life of Maximianus, who has been called "the last of the Roman poets," beyond what can be inferred from his poetry. He was most likely a native of Tuscany, probably lived until the middle of the sixth century, and, at an advanced age, went as a diplomat to the emperor's court at Constantinople. A. M. Juster has translated the complete elegies of Maximianus faithfully but not literally, resulting in texts that work beautifully as poetry in English. Replicating the feel of the original Latin verse, he alternates iambic hexameter and pentameter in couplets and imitates Maximianus's pronounced internal rhyme, alliteration, and assonance. The first elegy is the lon...