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Gendering Commitment
Notions of engagement, commitment and impegno continue to provoke debate amongst academics researching contemporary Italian culture, and yet – be it by accident or by more conscious selection – critical work has tended to posit these concepts as a predominantly male and, often, heteronormative domain. This collection of essays challenges this assumption, and analyses more closely the fluid and fragmented nature of commitment, and the work of Italian intellectuals and cultural practitioners associated with it. The volume’s contributors engage with those who have typically been excluded from such debates: not only female writers and artists, but also males whose work has been denied the designation of impegnato. The chapters all focus on individuals who insist on the need to question, interrogate and denounce social realities. Employing a range of theoretical perspectives, and bringing into dialogue individuals not typically associated with terms such as engagement and commitment, this volume offers an original and distinctive contribution to a discussion that persists in Italian studies.
The New Avant-garde in Italy
The debate on literature and the arts provoked by the Italian neoavant-garde (neoavanguardia) is undoubtedly one of the most animated and controversial the country has witnessed from World War II to the present. Comprising the period between the late 1950s and the late 1960s, the phenomenon of the neoavanguardia involved key writers, critics, and artists, both as insiders - Sanguineti, Balestrini, Guglielmi, Eco, and others - and adversaries such as Pasolini, Calvino, and Moravia. In The New Avant-Garde in Italy - the first book in English to document the movement - John Picchione's objective is twofold: to provide a comprehensive analysis of the theoretical tenets that inform the works of t...
Encyclopedia of Homosexuality
First published in 1990, The Encyclopedia of Homosexuality brings together a collection of outstanding articles that were, at the time of this book’s original publication, classic, pioneering, and recent. Together, the two volumes provide scholarship on male and female homosexuality and bisexuality, and, reaching beyond questions of physical sexuality, they examine the effects of homophilia and homophobia on literature, art, religion, science, law, philosophy, society, and history. Many of the writings were considered to be controversial, and often contradictory, at that time, and refer to issues and difficulties that still exist today. This volume contains entries from M-Z.
Biographies and Autobiographies in Modern Italy: a Festschrift for John Woodhouse
"Critical interest in biography and autobiography has never been higher. However, while life-writing flourishes in the UK, in Italy it is a less prominent genre. The twelve essays collected here are written against this backdrop, and address issues in biographical and autobiographical writing in Italy from the later nineteenth century to the present, with a particular emphasis on the interplay between individual lives and life-writing and the wider social and political history of Italy. The majority of essays focus on well-known writers (D'Annunzio, Svevo, Bontempelli, Montale, Levi, Calvino, Eco and Fallaci), and their varying anxieties about autobiographical writing in their work. This pic...
Encyclopedia of Italian Literary Studies: A-J
Publisher description
Twentieth-century Italian Poetry
Offers a selection of Italian poems, with notes and commentary in English, and critical essays on individual authors and trends. This volume covers the period from the early years of the twentieth century up to the 1970s, and focuses on the work of poets such as Ungaretti and Saba. It is intended for those with a good working knowledge of Italian.
Modern Italian Poets
In 1948, the poet Eugenio Montale published his Quaderno di traduzioni and created an entirely new Italian literary genre, the “translation notebook.” The quaderni were the work of some of Italy’s foremost poets, and their translation anthologies proved fundamental for their aesthetic and cultural development. Modern Italian Poets shows how the new genre shaped the poetic practice of the poet-translators who worked within it, including Giorgio Caproni, Giovanni Giudici, Edoardo Sanguineti, Franco Buffoni, and Nobel Prize-winner Eugenio Montale, displaying how the poet-translators used the quaderni to hone their poetic techniques, experiment with new poetic metres, and develop new theories of poetics. In addition to detailed analyses of the work of these five authors, the book covers the development of the quaderno di traduzioni and its relationship to Western theories of translation, such as those of Walter Benjamin and Benedetto Croce. In an appendix, Modern Italian Poets also provides the first complete list of all translations and quaderni di traduzioni published by more than 150 Italian poet-translators.
Game of Love in Sermoneta
Cultural Association ""From Ischia The Art - DILA"" GAME OF LOVE IN SERMONETA by ANGELA MARIA TIBERI Vice President of the Association New Cenacle of Poetry of ApriliaPREFACE Entering in the world of the writer Angela Maria Tiberi and how to desecrate a tabernacle and lay bare her thoughts, her heart, her soul. Her world is inner made of dreamed and realistic relationships where passion and love intertwine to sciorination a great connection from she is lived and then lost in the street we do not know how and why. Her prose and her poems gather in a whirlwind of expressive desires that can never be reached for a great, timeless but unambiguous love. The poetics of Angela Maria Tiberi is not recommended to all those who have cold hearts escaped the sense of love. Failing to make it their own, they would think, foolishly, that these are utopian transpositions in verses of obsolete ideals, without realizing that the real ""old"" are only those who no longer know how to believe in love. Bruno Mancini
Michelangelo on Parnassus
This book presents an original investigation of the relationship of a variety of authors (Varchi, Aretino, Foscolo, Wordsworth, Stendhal, Mann, Montale, Morante and others) with Buonarroti’s verse. Through close analysis of the texts, it shows why Michelangelo should hold a more noble position on Parnassus than that which historiography has hitherto granted him.
