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Private Sphere to World Stage from Austen to Eliot
Emily Dickinson's poem, 'This is my letter to the World/ That never wrote to Me --', opens the Introduction, which focuses on the near-anonymity of nineteenth-century women novelists. Close readings of works by five British novelists—Jane Austen, Charlotte and Emily Brontë, Elizabeth Gaskell, and George Eliot—offer persuasive accounts of the ways in which women used stealth tactics to outmaneuver their detractors. Chapters examine the 'hidden manifesto' in Austen's works, whose imaginative heroines defend women's writing; the lasting impact of Jane Eyre, with its modest heroine who takes up the pen to tell her own story, even on male writers outside the English tradition; Cathy's testam...
After Austen
This collection of twelve new essays examines some of what Jane Austen has become in the two hundred years since her death. Some of the chapters explore adaptations or repurposings of her work while others trace her influence on a surprising variety of different kinds of writing, sometimes even when there is no announced or obvious debt to her. In so doing they also inevitably shed light on Austen herself. Austen is often considered romantic and not often considered political, but both those perceptions are challenged her, as is the idea that she is primarily a writer for and about women. Her books are comic and ironic, but they have been reworked and drawn upon in very different genres and styles. Collectively these essays testify to the extraordinary versatility and resonance of Austen’s books.
Elizabeth Gaskell
"A great deal has been written about Elizabeth Gaskell in the past decade, and Elizabeth Gaskell: An Annotated Guide to English Language Sources, 1992-2001 builds upon Weyant's 1994 work which covered some 350 sources published between 1976 and 1991. This supplement identifies almost 600 new books, book chapters, journal articles, dissertations, and master and honor theses on the life and writings of Gaskell. Contents include two appendixes of new editions of Gaskell's works in print and digital, audio, and video formats; a selection of websites; citations of many brief articles in the Gaskell Newsletter that are generally ignored in standard indexes; numerous sources that would otherwise be difficult to locate; and an author and subject index."--Quatrième de couverture
The Discourse of Slavery
First published in 1994. The Discourse of Slavery is an innovative collection of fascinating essays addressing the problematic of slavery within literary, cultural and political writings. For the first time, slavery is examined critically within both the British and the American context, and related to contemporary concerns around race and gender. Writers discussed include: Aphra Behn William Blake Mary Wollstonecraft Charlotte Bronte Elizabeth Gaskell Toni Morrison William Faulkner Harriet Jacobs Harriet Beecher Stowe Frederick Douglass The Discourse of Slavery will be an invaluable and intriguing volume for students of literature, gender, race and ethnicity.
The Figure of Consciousness
Through analysis of metaphors of consciousness in the philosophy and fiction of William James, Henry James and Edith Wharton, this work traces the significance of representations of knowledge, gender and social class, revealing how writers conceived of the self in modern literature.
Transatlantic Stowe
"Blending historical and cultural criticism and drawing on fresh primary material from London and Paris, Transatlantic Stowe includes essays exploring Stowe's relationship with European writers and the influence of her European travels on her work, especially the controversial travel narrative Sunny Memories of Foreign Lands and her "Italian novel" Agnes of Sorrento."--Jacket
Human Trafficking, The Bible and the Church
In this book Marion Carson brings us a profound, interdisciplinary account of how Christians have engaged with slavery in the past, and how they might respond in the future.
Uncle Tom Mania
Tom-Mania looks at the novel Uncle Tom's Cabin and the songs, plays, sketches, translations and imitations it inspired. In particular it shows how the theatrical mode of blackface minstrelsy, the slavery question, and America's emerging cultural identity affected how the novel was read, discussed, dramatized, merchandized and politicised.
Prison Of Womanhood
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