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The poems in Bed, many written during prolonged bed rest, examine how life's interruptions--illness or new motherhood, loss or lust--can lead us to intimate revelations with others and with our selves. We spend much of our lives in bed--it is a border, a boundary, a haven, and a trap--and the poems in Bed confront and question the very limits of body and mind. In dream and waking, in sickness and sex, in marriage and birth, in grief and death, the bed is a space that can either mark time or transcend it, a place of perpetual becoming and reinvention. Here is a body trying to remember pleasure amidst the material of suffering, a language trying to keep up with a love that begins before speech. The bed in Bed is often an absent center--a missing mind--around which intimacy must dance. Maybe it is the wanted child. Maybe it is the mourned self. Maybe it is your mind these poems must be tucked into to be kept or come alive.
EXCERPT All right, I'm a little afraid. It's the zeroing in of All That Could Possibly Go Wrong vs. Myself. --Small Talk with an Imagined Son The Spirit Papers explores the magical thinking that precedes impending and inevitable loss, the taboo fantasia that occurs in the crippling timelessness of anticipation. Grieving for the future with a spiritual clarity characterized by ritual and doubt, Metzger's lines are chameleons to every feeling. In the interminable window of expecting the unexpected, the poems ultimately materialize the very events they wish to ward off. The Spirit Papers chases mortality with equal parts disbelief and love.
A devastating, vulnerable collection tracing high-risk pregnancy and new motherhood amid grief. “All my life all I’ve wanted was to be myself / and someone else,” writes Elizabeth Metzger. From the shadowy perspective of confinement, where the presence of death unsettles all outcomes, these poems examine an expansion and fracturing of the self—into motherhood as well as childhood, into past selves and future unknowns. The child becomes parent, the parent becomes child, the child arrives but in doing so is lost. New loss haunts new life, and life becomes “one or two lives.” The door is more valuable than the prize behind it. With ambivalence as well as deep feeling, Metzger wonder...
New package for a cult classic. First published in 2003, The Book of Lies was hailed as a 21st grimoire and instantly became a cult classic. Now reformatted for the next generation of magicians and all counterculture devotees, it gathers an unprecedented cabal of occultists, esoteric scholars, and forward thinkers, all curated by Disinformation's former "wicked warlock" Richard Metzger. This compendium of the occult includes entries on topics as diverse and dangerous as Aleister Crowley, Secret Societies, Psychedelics, and Magick in theory and practice. The result is an alchemical formula that may well rip a hole in the fabric of your reality: Terence McKenna asks if we contact "aliens" with...
The Corpus Iuris Civilis, a distillation of the entire body of Roman law, was directed by the Emperor Justinian and published in a.d. 533. The Institutes, the briefest of the four works that make up the Corpus, is considered to be the cradle of Roman law and remains the best and clearest introduction to the subject. A Companion to Justinian's "Institutes" will assist the modern-day reader of the Institutes, and is specifically intended to accompany the translation by Peter Birks and Grant McLeod, published by Cornell in 1987. The book offers an intelligent and lucid guide to the legal concepts in the Institutes. The essays follow its structure and take up its principal subjects--for example, slavery, marriage, property, and capital and noncapital crimes--and give a thorough account of the law relating to each of them. Throughout, the authors explain technical Latin vocabulary and legal terms.
This book reflects the wide range of current scholarship on Roman law, covering private, criminal and public law.
In The Chinese Atlantic, Sean Metzger charts processes of global circulation across and beyond the Atlantic, exploring how seascapes generate new understandings of Chinese migration, financial networks and artistic production. Moving across film, painting, performance, and installation art, Metzger traces flows of money, culture, and aesthetics to reveal the ways in which routes of commerce stretching back to the Dutch Golden Age have molded and continue to influence the social reproduction of Chineseness. With a particular focus on the Caribbean, Metzger investigates the expressive culture of Chinese migrants and the communities that received these waves of people. He interrogates central i...
Martin Metzger is a German farmer who travels with his wife and eight children in 1846 to settle in mid-America. They are nearly trapped between the Mexican and United States armies in Texas. Based on actual events, the family travels from New Orleans up the Mississippi River by steamboat while gradually learning how to work and live in America where slavery exists in some states, multiple paper currencies circulate, opportunities abound, love beckons, and dangers lurk. The successes and challenges of three generations of the family in Illinois are chronicled (Martin, his son John, and his son Arthur), as national historical developments become entwined with events in the family. John is bri...
First multi-year cumulation covers six years: 1965-70.
Collects seven stories based on horror themes, including tales about werewolves, vampires, ghost dogs, and other creatures of the night.