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Chorando Pela Natureza é uma antologia que reúne poemas sobre as questões geopolíticas ambientais, principalmente do Brasil. É composta por produções de poetas contemporâneos e escritores independentes. O material coletado versa sobre as questões territoriais indígenas, a Floresta Amazônica, a crise dos recursos naturais, a devastação do solo, o futuro do planeta, entre outros temas.
Grande parte das composições de Anna Elizandra está relacionada à mulher no contexto atual. Um importante número de poemas publicados por esta autora refere-se à problemática do amor erótico idealizado pela figura feminina. Desta forma, sua poesia rompe com as barreiras da tradicionalidade, revelando uma mulher que não precisa esconder seu aspecto mais natural para ser aceita. Mas não é tão simples. É preciso ter força e coragem para revelar esta face feminina tão reprimida ao longo dos séculos de dominação patriarcal. Marcos José P. Gomes, em Marcas de feminilidade nos poemas Per Passione e Ao homem que não vê a mulher que sou, de Anna Elizandra Ribeiro
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
About Trees considers our relationship with language, landscape, perception, and memory in the Anthropocene. The book includes texts and artwork by a stellar line up of contributors including Jorge Luis Borges, Andrea Bowers, Ursula K. Le Guin, Ada Lovelace and dozens of others. Holten was artist in residence at Buro BDP. While working on the book she created an alphabet and used it to make a new typeface called Trees. She also made a series of limited edition offset prints based on her Tree Drawings.
Caro leitor A poesia é a forma mais criativa de demonstrar o amor pela vida, ou as desilusões que permeiam nossos encontros e desencontros. O poeta é melancólico por excelência, porque não pensa com a razão ou o coração mas com a alma. Meus poemas são o versejar da minha alma, dos meus desejos, anseios, e também decepções. Aprendi com a dor e com o amor que o belo pode ser feroz, e o que é feio não existe diante dos olhos de quem ama. O amor sempre há de prevalecer, e com ele a tão sonhada Paz Universal. Por isso, escrevo, por isso luto para que as pessoas amem os livros, porque uma Poesia pode mudar o Universo, nem que seja o universo de um único alguém. Nívea Sabino
Notable International Crime Novel of the Year – Crime Reads / Lit Hub From a prize-winning Turkish novelist, a heady, political tale of one man’s search for identity and meaning in Istanbul after the loss of his memory. A blues singer, Boratin, attempts suicide by jumping off the Bosphorus Bridge, but opens his eyes in the hospital. He has lost his memory, and can't recall why he wished to end his life. He remembers only things that are unrelated to himself, but confuses their timing. He knows that the Ottoman Empire fell, and that the last sultan died, but has no idea when. His mind falters when remembering civilizations, while life, like a labyrinth, leads him down different paths. From the confusion of his social and individual memory, he is faced with two questions. Does physical recognition provide a sense of identity? Which is more liberating for a man, or a society: knowing the past, or forgetting it? Embroidered with Borgesian micro-stories, Labyrinth flows smoothly on the surface while traversing sharp bends beneath the current.
Originally published in 2011, The Mosquito Bite Author is the seventh novel by the acclaimed Turkish author Barış Bıçakçı. It follows the daily life of an aspiring novelist, Cemil, in the months after he submits his manuscript to a publisher in Istanbul. Living in an unremarkable apartment complex in the outskirts of Ankara, Cemil spends his days going on walks, cooking for his wife, repairing leaks in his neighbor’s bathroom, and having elaborate imaginary conversations in his head with his potential editor about the meaning of life and art. Uncertain of whether his manuscript will be accepted, Cemil wavers between thoughtful meditations on the origin of the universe and the trajectory of political literature in Turkey, panic over his own worth as a writer, and incredulity toward the objects that make up his quiet world in the Ankara suburbs.
From a young Palestinian writer comes this compelling look at the Israel/Palestine conflict, from both the perspective of an Israeli soldier in 1949 as well as that of a young Palestinian woman.
In this poignant novel, a man guilty of a minor offense finds purpose unexpectedly by way of his punishment—reading to others. After an accident—or “the misfortune,” as his cancer-ridden father’s caretaker, Celeste, calls it—Eduardo is sentenced to a year of community service reading to the elderly and disabled. Stripped of his driver’s license and feeling impotent as he nears thirty-five, he leads a dull, lonely life, chatting occasionally with the waitresses of a local restaurant or walking the streets of Cuernavaca. Once a quiet town known for its lush gardens and swimming pools, the “City of Eternal Spring” is now plagued by robberies, kidnappings, and the other myriad ...
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