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Reckless, Glorious, Girl
The co-author of Watch Us Rise pens a novel in verse about all the good and bad that comes with middle school, growing up girl, and the strength of family that gets you through it. Beatrice Miller may have a granny's name (her granny's, to be more specific), but she adores her Mamaw and her mom, who give her every bit of wisdom and love they have. But the summer before seventh grade, Bea wants more than she has, aches for what she can't have, and wonders what the future will bring. This novel in verse follows Beatrice through the ups and downs of friendships, puberty, and identity as she asks: Who am I? Who will I become? And will my outside ever match the way I feel on the inside? A gorgeous, inter-generational story of Southern women and a girl's path blossoming into her sense of self, Reckless, Glorious, Girl explores the important questions we all ask as we race toward growing up.
Watch Us Rise
A stirring and unputdownable read about what it means to be a woman today. Perfect for fans of Moxie and The Hate U Give. 'This stunning book is the story I've been waiting for my whole life; where girls rise up to claim their space with joy and power. I resolve to give a copy to every teenager I know!' Laurie Halse Anderson, New York Times bestselling and award-winning author of SPEAK and SHOUT 'An extraordinary story of two indomitable spirits, the power of friendship, and what leadership looks like in the hands of young people today, Watch Us Rise is the novel we all need right now.' Brendan Kiely, New York Times bestselling co-author of ALL AMERICAN BOYS and TRADITION Jasmine and Chelsea...
Blooming Fiascoes
Blooming Fiascoes is a collective of verse that deconstructs identity. We are beautiful and monstrous. We live in a beautiful and monstrous world. Ellen Hagan poetically mirrors these metaphoric adversaries, drawing on her experiences as a woman, an artist, a mother, a transplanted southerner, and above all, a human being. She plumbs origins in history, body, and living to question how we reckon our whole selves in the catacombs of a world gone mad: We mourn, we bless, / we blow, we wail, we / wind—down, we sip, / we spin, we blind, we / bend, bow & hem. We / hip, we blend, we bind, / we shake, we shine, / shine. We lips & we / teeth, we praise & protest. In these poems, Assyrian, Italian, and Irish lines seep deeper into a body that is growing older but remains engaged with unruly encounters: the experience of raising daughters, sexual freedom, and squaring body image against the body’s prohibitions. This is a work where the legacy is still evolving and always asking questions in real time. Blooming Fiascos spindles poetry that is not afraid to see itself and the lives it inhabits.
Don't Call Me a Hurricane
Told in verse, seventeen-year-old Eliza, an environmental activist, is navigating the after-effects of a hurricane that devastated her coastal town while falling for Milo, a rich tourist who is at the center of a redevelopment that could put her community in danger--again.
Hemisphere
Winner, 2015 Seven Sisters Book Award for Poetry The poems in Hemisphere explore what it means to be a daughter and what it means to bear new life. Ellen Hagan investigates the world historical hemispheres of a family legacy from around the globe and moves down to the most intimate hemisphere of impending motherhood. Her poems reclaim the female body from the violence, both literal and literary, done to it over the years. Hagan acknowledges the changing body of a mother from the strains of birth—from the growing body of a child, to the scars left most visibly by a C-section—as well as the changes wrought by age and, too often, abuse. The existence of a hemisphere implies a part seeking a whole, and as a collection, Hemisphere is a coherent and cogent journey toward reclamation and wholeness.
Haiku
Richard Wright, one of the early forceful and eloquent spokesmen for black Americans, author of the acclaimed Native Son and Black Boy, discovered the haiku in the last eighteen months of life. He attempted to capture, through his sensibility as an African-American, the elusive Zen discipline and beauty in depicting man’s relationship, not only to his fellow man as he had in the raw and forceful prose of his fiction, but to the natural world. In all, he wrote over 4,000 haiku. Here are the 817 he personally chose; Wright’s haiku, disciplined and steeped in beauty, display a universality that transcends both race and color without ever denying them. Wright wrote his haiku obsessively—in bed, in cafes, in restaurants, in both Paris and the French countryside. They offered him a new form of expression and a new vision: with the threat of death constantly before him, he found in them inspiration, beauty, and insights. Fighting illness and frequently bedridden, deeply upset by the recent loss of his mother, Ella, Wright continued, as his daughter notes in her introduction, “to spin these poems of light out of the gathering darkness.”
What Momma Left Me
From the New York Times bestselling author of Piecing Me Together, a 2018 Newbery Honor Book and a Coretta Scott King Author Award-winner: a powerful novel about finding where you belong and the light in dark places 'Warm, rich and satisfying' Kirkus Serenity knows she is good at keeping secrets, and she's got a whole lifetime's worth of them. Her mother is dead, her father is gone, and she and her brother have to start over again by moving in with their grandparents. At first, things seem like they could be good: a new friend, a new church, a new school. But when her brother seems to be going down the wrong path, the old fears set in. Will he end up like their dad? Will she end up like their mum? In this exquisite coming of age story, Serenity discovers it is the power of love that keeps you sure of who you are, and who you will become.
The Routledge Handbook of Translation and Technology
The Routledge Handbook of Translation and Technology provides a comprehensive and accessible overview of the dynamically evolving relationship between translation and technology. Divided into five parts, with an editor's introduction, this volume presents the perspectives of users of translation technologies, and of researchers concerned with issues arising from the increasing interdependency between translation and technology. The chapters in this Handbook tackle the advent of technologization at both a technical and a philosophical level, based on industry practice and academic research. Containing over 30 authoritative, cutting-edge chapters, this is an essential reference and resource for those studying and researching translation and technology. The volume will also be valuable for translators, computational linguists and developers of translation tools.
She Walks in Beauty
In She Walks in Beauty, Caroline Kennedy has once again marshaled the gifts of our greatest poets to pay a very personal tribute to the human experience, this time to the complex and fascinating subject of womanhood. Inspired by her own reflections on more than fifty years of life as a young girl, a woman, a wife, and a mother, She Walks in Beauty draws on poetry's eloquent wisdom to ponder the many joys and challenges of being a woman. Kennedy has divided the collection into sections that signify to her the most notable milestones, passages, and universal experiences in a woman's life, and she begins each of these sections with an introduction in which she explores and celebrates the most i...
This Side of Home
Does growing up have to mean growing apart? Identical twins Maya and Nikki have always agreed on the important things-their friends, the right boys, their plans for college and the future. But before senior year begins, too many things are changing. Their neighborhood is starting to get nice-and not really in a way Maya enjoys. With houses turning into trendy coffee shops and restaurants, and neighbors, including their best friend, Essence, being pushed out, Maya's neighborhood is becoming unrecognizable. And when a new-white-family buys the house Essence's mom rented, Nikki suddenly has a new best friend and Maya has a new admirer, someone she's not sure she should like. And then there's their principal, intent on prioritizing the comfort of white students at the expense of the school's largely Black identity. What's worse, no one seems to be as alarmed by these changes as Maya is-not even Nikki. As Maya struggles to hold on, she begins to wonder where-and with whom-she belongs. From Newbery Honor and Coretta Scott King Award-winning author Renée Watson comes a poignant novel about love for home and for ourselves, embracing change, and what it means to grow up.
