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Providing close readings of well-known British realist writers including Pat Barker, A. S. Byatt, Rose Tremain, Sarah Hall, Bernadine Evaristo and Zadie Smith, this book uses new directions in material and posthuman feminism to examine how contemporary women writers explore the challenges we collectively face today. Walezak redresses negative assumptions about realism's alleged conservatism and demonstrates the vitality and relevance of the realist genre in experimenting with the connections between individual and collective voices, human and non-human meditations, local and global scales, and author and reader. Considering how contemporary realist writing is attuned to pressing issues including globalization, climate change, and interconnectivity, this book provides innovative new ways of reading realism, examines how these writers are looking to reinvent the genre, and shows how realism helps reimagine our place in the world.
Angela Carter's provocations to laughter and her enchantment with ludic narrative strategies are two key aspects of her aesthetic practice, neither of which has been the focus of sustained study. Ludics and Laughter as Feminist Aesthetic: Angela Carter at Play responds to this lacuna in Carter criticism. This international collection of eleven essays from acclaimed Carter scholars and emerging voices in the field of Carter studies seeks to reclaim play as a serious undertaking for feminist writing and scholarship and to foreground laughter as a potent affect. While Carter's work turned to comedy in the later years, from the first publication in 1966 until her last in 1992, her fiction, poetr...
This book uses attention as a prism through which to interrogate the literary text. It starts from analyses of the changes that the mediasphere and communication technologies have brought for the contemporary subject, submitting him/her to the tyranny of a new attention economy. My point is that the contemporary novel and memoir resist such influences and evince a great deal of resilience by promoting an “ecology of attention” (Citton) based on poetic options whose pragmatic effect is to develop an ethics of the particularist type. To do this, I draw on critical and theoretical literature hailing from various fields: psychology, but also more prominently phenomenology, political philosophy, and analytical philosophy (essentially Ordinary Language Philosophy), alongside the ethics of care and vulnerability. By using a selection of fictional and non-fictional narratives, I address such issues as social invisibilities, climate change, AI and cognitive disability and end up drafting a poetics of attention.
The Seventh Age of Man: Issues, Challenges, and Paradoxes is a collection of academic essays on Old Age. The contributors come from a wide range of fields of expertise, which accounts for the originality of the book. Depending on their respective disciplines, the authors resort to various methodological approaches, from sociological case studies to discourse analysis, and from historical and political theories to media criticism, but they often address similar questions – when are people to be considered as old, what does it mean to be old, how do we deal with ageing – and reach similar conclusions about the paradoxical representations of the elderly, whether in Renaissance Europe or in ...
Feminism's Progress builds on more than fifty years of feminist criticism to analyze narrative representations of feminist ideas about women's social roles, gender inequities, and needed reforms. Carol Colatrella argues that popular novels, short stories, and television shows produced in the United States and Britain — from Little Dorrit and Iola Leroy to Call the Midwife and The Closer — foster acceptance of feminism by optimistically illustrating its prospects and promises. Scholars, students, and general readers will appreciate the book's sweeping introduction to a host of concerns in feminist theory while applying a gender lens to a wide range of literature and media from the past two centuries. In exploring how individuals and communities might reduce bias and discrimination and ensure gender equity, these fictions serve as both a measure and a means of feminism's progress.
This volume provides sustained critical attention on Byatt’s wonder tales, both the stand-alone tales and those which are embedded in the wider frame of a novel or novella. In this light, it examines Byatt’s claim that her wonder tales “are modern literary stories and they do play quite consciously with a postmodern creation and recreation of old forms” through a revisitation of the wonder tale in a productive dialogue with tradition as an expanded recognition of this fertile creative-critical dialogue with regards to the significance of the wonder tale in Byatt’s fictional work. The book evinces a fresh variety of conceptions and approaches to Byatt’s wonder tales, some spanning several tales and others focussing on a specific wonder tale, all thoroughly observant of the nature and workings of the relationship between story or novel and genre or tale, and theoretically informed by innovative critical approaches.
Whether one thinks of the modern world or of more remote times, both seem to have been affected – if not moulded – by the interaction between the concepts of authority and displacement. Indeed, political and social sources of authority have often been the causes of major geographical displacements, as can be illustrated by the numerous waves of migration which have been observed in the past and which are still present today, such as the transportation of slaves from African to American coasts in colonial times. If displacement can often be understood as spatial displacement, it can also be synonymous with psychological, social, and even aesthetic displacement, for instance through differ...
Introduction -- Redressing the Balance -- 1. Novel-Thinking: Re-Defining Omniscience -- 2. Abjection, Self-Abjection and Social Mutations: Engaging with the Reader -- 3. Realist Characterization and the Feminist Politics of Location: Situated Knowledges -- 4. Realist Descriptions: Re-Inscribing Democracy -- 5. Posthuman Naturalism Conclusion: The New Realist Imaginary -- Bibliography -- Index.
This book shows how twenty-first-century writing about Northern England imagines alternative democratic futures for the region and the English nation, signalling the growing awareness of England as a distinct and variegated political formation. In 2016, the Brexit vote intensified ongoing constitutional tensions throughout the UK, which have been developing since the devolution of Scotland, Wales, and Northern Ireland in 1997. At the same time, British devolution developed a distinctively cultural registration as a surrogate for parliamentary representation and an attempt to disrupt the status of London as Britain’s cultural epicentre. Rewriting the North shifts this debate in a new direction, examining Northern literary preoccupation with devolution’s constitutional implications. Through close readings of six contemporary authors – Sunjeev Sahota, Sarah Hall, Anthony Cartwright, Adam Thorpe, Fiona Mozley, and Sarah Moss – this book argues that literary engagement with the North emphasises regional devolution's limited constitutional charge, calling instead for an urgent abandonment of the British centralised state form.
This comprehensive chronological introduction offers a detailed analysis of Rose Tremain’s novels and examines the critical reception of her work. It situates Tremain – listed by Granta magazine as one of the twenty most promising young British novelists in 1983 – in the landscape of contemporary British literature by demonstrating how the variety of her work touches upon major concerns of contemporary fiction. The book aims to satisfy the needs of students by providing an extensive reading of Tremain’s novels based on critical discussions of key notions in contemporary literary theory and cultural studies. It includes a comprehensive bibliography and overview of Tremain’s critical reception. It points up the suitability of Tremain’s novels as practical illustrations of major concepts in contemporary literary debates.