Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
We are Behind
"[L]aunched as part of Emily Wardill's exhibition 'windows broken, break, broke together' at de Appel arts centre, Amsterdam, 17 September-28 November 2010"--Colophon.
The New Art
None
Contemporary Art and Digital Culture
Contemporary Art and Digital Culture analyses the impact of the internet and digital technologies upon art today. Art over the last fifteen years has been deeply inflected by the rise of the internet as a mass cultural and socio-political medium, while also responding to urgent economic and political events, from the financial crisis of 2008 to the ongoing conflicts in the Middle East. This book looks at how contemporary art addresses digitality, circulation, privacy, and globalisation, and suggests how feminism and gender binaries have been shifted by new mediations of identity. It situates current artistic practice both in canonical art history and in technological predecessors such as cyb...
London Art and Artists Guide
The 'London Art and Artists Guide' provides information on art schools, museums, galleries, studios and the people involved with them. It also covers restaurants, markets and general features that relate to London.
Changing Roles
"How are you involved in the art world? Are you related to any art scene? What would be the most productive place to present your work? What kind of curators do you like to work with and why? What does the art market mean for your work? In your opinion, what are centers for contemporary art for? What would you like to see them presenting?" "These are seven simple and open questions on different aspects of today's art world that were asked to every artist involved in Witte de With's program in 2006 and 2007. The resulting publication reflects on some of the topics touched upon in the program of the past two years - for example, in group shows such as Street: behind the cliche - looking at the best place for art, the role of the art institution and its curators, and the influence of "populist" forces on different forms of art production. The answers included here serve as time-documents, providing a "tour d'horizon" of artists' opinions, concerns and ambitions today, setting out a blueprint for the future role of the art institution and of its related actors (the artist, curator, critic, gallerist)."--BOOK JACKET.
The Annotated Reader
None
Le voyage intérieur
None
LEGSICON.
None
Recollecting Collecting
Recollecting Collecting interrogates and illustrates the meaning and practical nature of film and media collections while considering the vast array of personal and professional motivations behind their assemblage.
Voice as Art
Voice as Art considers how artists have used human voices since they became reproducible and entered art discourse in the twentieth century. The discussion embeds artworks using voices within historical and theoretical contexts in a comparative overview arguing that reproduction caused increased creativity moving from acting to creating phonic materials framed by phenomenological deep listening by early video and performance to the plurality and sampling of postmodernism and the multiple angles of contemporary forensic listening. This change is an example of how artistic practice reveals the ideologies of listening. Using a range of examples from Hugo Ball, Martha Rosler, Vito Acconci, Bruce...
