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Graphical Heritage
This book presents the proceedings of the 18th International Conference on Graphic Design in Architecture, EGA 2020, focusing on heritage – including architectural and graphic heritage as well as the graphics of heritage. This first volume gathers selected contributions covering theories, and new technologies and findings to help shed light on current questions related to heritage. It features original documentation studies on historical archives, 3D and solid representation of architectural objects, as well as virtual graphic representation and applications of augmented reality, all documenting and/or reconstructing the present, past and future of architectural objects. As such, this book offers extensive and timely information to architectural and graphic designers, urban designers and engineers, and industrial designers and historians.
A Global Earth in the Classroom
This volume offers a scholarly examination of educational history, highlighting the pivotal role of educational practices from the late medieval era to the early modern period. It provides a dynamic forum for emerging academics in the field, revealing fresh, multifaceted perspectives on the educational methods of this era. The work illuminates the sophisticated educational systems that shaped Renaissance Milan's merchants and the education of cantors in royal courts and cathedrals. Spanning from Brazil to India, it traces the extensive reach of Jesuit influence and reveals how their teachings fostered an early consciousness of a globally interconnected world in European education. Contributors include Bradley Blankemeyer, Laura Madella, Jessica Ottelli, Federico Piseri, David Salomoni, and Carolina Vaz de Carvalho.
Graphic Imprints
This is the Proceedings of the International Congress of Graphic Design in Architecture, EGA 2018, held in Alicante, Spain, May 30-June 1, 2018. About 200 professionals and researchers from 18 different countries attended the Congress. This book will be of interest to researchers in the field of architecture and Engineering. Topics discussed are Innovations in Architecture, graphic design and architecture, history and heritage among others.
Women's Creativity since the Modern Movement (1918-2018)
Extensive work is a result of four year research within the international project Women's Creativity since the Modern Movement, and brings new insights into women in architecture, construction, design, urban planning and landscape architecture in Europe and in the rest of the world. It is divided into eight chapters that combine 116 articles on topics: A. Women’s education and training: National and international mappings; B. Women’s legacy and heritage: Protection, restoration and enhancement; C. Women in communication and professional networks; D. Women and cultural tourism; E. Women’s achievements and professional attainments: Moving boundaries; F. Women and sustainability: City and...
Anachronic Renaissance
A reconsideration of the problem of time in the Renaissance, examining the complex and layered temporalities of Renaissance images and artifacts. In this widely anticipated book, two leading contemporary art historians offer a subtle and profound reconsideration of the problem of time in the Renaissance. Alexander Nagel and Christopher Wood examine the meanings, uses, and effects of chronologies, models of temporality, and notions of originality and repetition in Renaissance images and artifacts. Anachronic Renaissance reveals a web of paths traveled by works and artists—a landscape obscured by art history's disciplinary compulsion to anchor its data securely in time. The buildings, painti...
National Union Catalog
Includes entries for maps and atlases.
Über Szenographisches Entwerfen Raffael und die Villa Madama
Im Mittelpunkt der Untersuchung steht die Villa Madama, die wohl bedeutendste, wenn auch nur zum Teil ausgeführte, Villa der römischen Hochrenaissance. Gespiegelt wird sie in dem für Raffaels Entwurfsansatz programmatischen Fresko der Schule von Athen und der in diesem Sinne vorbildhaften ersten Planung seines Lehrers Bramante für St.-Peter.Eine minutiöse Rekonstruktion der Entwurfsschritte - in der Malerei wie in der Architektur - bildet die Ausgangsbasis dieser Untersuchung; ihr erstes Ziel ist, Raffaels Vorstellung von der albertianischen venustas eines Kunstwerk näher zu fassen. Für diesen methodischen Ansatz ist Heinz Kählers großartige Arbeit Hadrian und seine Villa bei Tivoli ein wichtiges Vorbild.Die Ausgangsfrage der Untersuchung, gestellt an die etwa 472-jährige Villa Madama, nach der kompositionellen Schönheit ist grundsätzlich zeitlos. Hier ist Rudolf Wittkowers "Die Prinzipien der Architektur im Zeitalter des Humanismus" ebenso Ausgangs- wie Referenz-, aber auch Contrapunkt.
Disegnare idee immagini n° 43 / 2011
facing english text Giorgio Testa Disegni al telefono Drawings on the telephone Antonino Saggio La camera da letto di Vincent van Gogh: rappresentazioni simboliche, riferimenti autobiografici, deformazioni prospettiche The Bedroom by Vincent van Gogh: symbols, autobiographical images and perspective distortions Fabio Colonnese Note su alcuni disegni “panoramici” di Le Corbusier Notes on several “panoramic” drawings by Le Corbusier Stefano Brusaporci Architetture cistercensi nell'Abruzzo aquilano. Misure, geometrie, proporzioni Cistercian Architecture in the L'Aquila region of the Abruzzi. Measurements, geometries, proportions Pedro M. Cabezos, Juan J. Cisneros-Vivó Immagini stereosc...
