Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Indian Music
None
Saṅgītaśiromaṇi
The Sa g ta iroman i, "Crest-jewel of Music," is a major Sanskrit work on Indian musicology dealing with traditional musical theory and performance practice, composed in 1428 A.D. by a board of scholars.
Dattilam
None
Saṅgītaśiromaṇi
The Saṅgītaśiromaṇi, "Crest-jewel of Music", is a major Sanskrit work on Indian musicology dealing with traditional musical theory and performance practice, composed in 1428 A.D. by a board of scholars.
Kīrtana: Traditional South Indian Devotional Songs
In this publication devotional songs of the South Indian composers Tyāgarāja, Muttusvāmi Dīkṣitar and Śyāma Śāstri are presented in a detailed Western music notation. The introductory chapters contain general cultural information, biographical details as well as the original song texts with an English translation. With a unique MP3-CD containing all the kīrtana compositions.
The Rāgas of Somanātha
For full information on the author's current projects in the field of Indian music, see http: //www.sarasvatibhavan.com
Acoustics of Empire
How have sound and empire shaped one another historically? Acoustics of Empire recovers a sonic history that is bound up with imperial power and colonial rule. Bringing together contributions from historians, musicologists, anthropologists, and literary scholars, this book emphasizes the entangled histories of sound and empire. The intertwined legacies of sound and power are not simply historical curiosities; rather, they stand as formative influences in cultural modernity and its discontents that continue to shape the ways we hear and experience the world today.
The Scattered Court
"How far did colonialism transform north Indian art music? In the period between the Mughal empire and the British Raj, did the political landscape bleed into aesthetics, music, dance, and poetry? The Scattered Court presents a new history of how Hindustani court music responded to the political transitions of the nineteenth century. Examining musical culture through a diverse and multilingual archive, primarily using sources in Urdu, Bengali, and Hindi that have not been translated or critically examined before, challenges our assumptions about the period. The book presents a longer history of interactions between northern India and Bengal, with a core focus on the two courts of Wajid Ali S...
Music in Colonial Punjab
This book offers the first social history of music in undivided Punjab (1800-1947), beginning at the Lahore court of Maharaja Ranjit Singh and concluding at the Patiala royal darbar. It unearths new evidence for the centrality of female performers and classical music in a region primarily viewed as a folk music centre, featuring a range of musicians and dancers -from 'mirasis' (bards) and 'kalawants' (elite musicians), to 'kanjris' (subaltern female performers) and 'tawaifs' (courtesans). A central theme is the rise of new musical publics shaped by the anglicized Punjabi middle classes, and British colonialists' response to Punjab's performing communities. The book reveals a diverse connoisseurship for music with insights from history, ethnomusicology, and geography on an activity that still unites a region now divided between India and Pakistan.
