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A deep and carefully crafted book of place that explores the impact of season and tides and weather upon the wildlife of a tiny area of mudflats and saltmarsh, and the land immediately adjacent to them in the west of England. Includes eight vignettes and a poem in each of 12 calendrical chapters to deliver an evolving understanding of the area, how it interacts and how it changes across scales of time.
A man and his young son traverse a blasted American landscape, covered with the ashes of the late world. The man can still remember the time before but not the boy. There is nothing for them except survival, and the precious last vestiges of their own humanity. At once brutal and tender, despairing and hopeful, spare of language and profoundly moving, The Road is a fierce and haunting meditation on the tenuous divide between civilization and savagery, and the essential sometime terrifying power of filial love. It is a masterpiece.
"My name is Brian Keene. I'm a writer by trade and a road warrior by heart. Neither of these things are wise career or life choices. The tolls add up.Over the last twenty years, things have changed. Book tours have changed, publishing has changed, bookselling has changed, conventions have changed, horror fiction-and the horror genre-have changed. I've changed, too.The only things that haven't changed are writing and the road. They stay the same. The words we type today are the past tomorrow. Everything is connected like the highways on a map are connected. This holds true for the history of our genre, as well.I rode into town twenty years ago. Now I'm riding out. You're all coming with me..."So begins Brian Keene's End of the Road-a memoir, travelogue, and post-Danse Macabre examination of modern horror fiction, the people who write it, and the world they live-and die-in. Exhilarating, emotional, heartfelt, and at times hilarious, End of the Road is a must-read for fans of the horror genre. Introduction by Gabino Iglesias.
25th ANNIVERSARY EDITION • From the bestselling author of The Passenger and the Pulitzer Prize–winning novel The Road: an epic novel of the violence and depravity that attended America's westward expansion, brilliantly subverting the conventions of the Western novel and the mythology of the Wild West. Based on historical events that took place on the Texas-Mexico border in the 1850s, Blood Meridian traces the fortunes of the Kid, a fourteen-year-old Tennesseean who stumbles into the nightmarish world where Indians are being murdered and the market for their scalps is thriving. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris.
Join Kathleen and Michael Pitt as they leave the comfort and temperate climate of suburban Vancouver to spend an isolated winter north of the Arctic Circle. With neither power nor running water, over 40 kilometres from the nearest community of 75 people, this middle-aged couple learns to embrace temperatures that regularly fall below minus 40 degrees. From their home base in a small, one-room cabin, they seek the challenge of winter camping and the adventure of expeditions across the ice. In January 1999, the Pitts flew by Twin Otter to Colville Lake to pursue Michael's life-long dream of living beyond the reach of roads and concrete. By the time the ice went out of the lakes and rivers in m...
Past the End of the Road recounts a free-range adolescence in mid-century Port Hardy on northern Vancouver Island, at a time when with no roads south, the town was only connected to the rest of the island by air and sea and the Union steamship was the main mode of travel to and from the sleepy logging village. Michel Drouin’s frank and humorous memoir recounts the freedom of his childhood in midcentury Port Hardy. When he was twelve, Drouin and his friend rowed a small boat from town 10 kilometres across the Goletas Channel for a day trip to the Gordon Group of islands, without even bringing water to drink, as neither he or his friend owned a canteen and “plastic water bottles hadn’t been invented yet.” Drouin’s adolescence encompassed hunting, fishing, firewood cutting, and more activities that although common at the time are probably foreign to most Canadian children. Although he ultimately prospered, the wildness of Drouin’s youth led to some close calls, such as when the young man accidentally lit himself on fire and he was only able to extinguish himself by running to the beach—“fortunately, the tide was in”—and flinging himself into the ocean.
"There are few real-life business stories that could match that of the downfall of Rover. Twenty years ago it would have been unthinkable that a brand with such a loyal following, that held a special place within the heart of the ordinary British man, could possibly fail. The events that led to the downfall were as tragic as they were predictable." "In an earlier edition of this book, at the point when BMW sold MG Rover, Chris Brady and Andrew Lorenz predicted with astonishing accuracy that the Phoenix takeover of the company was doomed to failure. Here, they tell the full untold story of Rover's downfall, from beginning to end."--BOOK JACKET.
'I laughed so hard I nearly fell in my cauldron. A masterpiece' JULIE BINDEL 'A bracingly sharp satire on the sleep of reason and the tyranny of twaddle' FRANCIS WHEEN Mel Winterbourne's modest map-making charity, the Orange Peel Foundation, has achieved all its aims and she's ready to shut it down. But glamorous tech billionaire Joey Talavera has other ideas. He hijacks the foundation for his own purpose: to convince the world that the earth is flat. Using the dark arts of social media at his new master's behest, Mel's ruthless young successor, Shane Foxley, turns science on its head. He persuades gullible online zealots that old-style 'globularism' is hateful. Teachers and airline pilots face ruin if they reject the new 'True Earth' orthodoxy. Can Mel and her fellow heretics – vilified as 'True-Earth Rejecting Globularists' (Tergs) – thwart Orange Peel before insanity takes over? Might the solution to the problem lie in the 15th century? Using his trademark mix of history and satire to poke fun at modern foibles, Simon Edge is at his razor-sharp best in a caper that may be more relevant than you think.
Available in paperback for the first time, this first book-length study explores the history of postwar England during the end of empire through a reading of novels which appeared at the time, moving from George Orwell and William Golding to Penelope Lively, Alan Hollinghurst and Ian McEwan. Particular genres are also discussed, including the family saga, travel writing, detective fiction and popular romances. All included reflect on the predicament of an England which no longer lies at the centre of imperial power, arriving at a fascinating diversity of conclusions about the meaning and consequences of the end of empire and the privileged location of the novel for discussing what decolonization meant for the domestic English population of the metropole. The book is written in an easy style, unburdened by large sections of abstract reflection. It endeavours to bring alive in a new way the traditions of the English novel.
Discover this powerful novel about a family falling apart, from the Booker Longlisted author of A TOWN CALLED SOLACE 'Tender and surprising... A vivid and evocative tale' New York Times Twenty-one-year-old Megan Cartwright has never been outside the small town she was born in but one winter's day in 1966 she leaves everything behind and sets out for London. Ahead of her is a glittering new life, just waiting for her to claim it. But left behind, her family begins to unravel. Disturbing letters from home begin to arrive and torn between her independence and family ties, Megan must make an impossible choice. 'Every bit as good as I expected. A heart-aching and beautifully written story of a family falling apart' Woman and Home