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What are the churchgoers, the Bible college students, and seminary students to do when one Bible scholar says one thing and another Bible scholar says something quite different, or worse still, as is the case with P52, several Bible scholars are saying different dates for the time when the Greek New Testament fragment P52 was written? P = Papyrus (a plant in Egypt), the material that was used to make sheets of papyrus paper that were written on by scribes to make copies of Bible books. 52 = the number assigned to that discovered manuscript. What makes it even more unnerving is when one is not an expert in the field of study, only having basic knowledge. How can they possibly know who is corr...
This volume of essays is chiefly concerned with the problems of interpretation raised by fragmentary evidence, especially by the partial or imperfect survival of texts from the classical world. The essays consider a variety of problems, addressing questions of literary history, source-criticism, editorial method, and scholarly technique.
How did the New Testament come to be? The writings that comprise the New Testament are critical for understanding the life, teachings, and impact of Jesus of Nazareth, all of which are central to Christianity. But how were these texts circulated, collected, and given their canonical status? Is the New Testament a trustworthy source for learning about Jesus and the early church? New Testament scholars L. Scott Kellum and Charles L. Quarles address the most pressing questions regarding the study of New Testament texts, their transmission, and their collection into the canon, such as: • What happened to the original manuscripts of the New Testament? • With all the variants, can we still speak of inspiration and inerrancy? • What are the competing views on canon? • Did the apostles recognize contemporaneous books as Scripture? • Did the early councils decide the canon? 40 Questions About the Text and Canon of the New Testament uses a question-and-answer format so readers can pursue the issues that interest them most with additional resources at 40questions.net.
Listening to the Philosophers offers the first comprehensive look into how philosophy was taught in antiquity through a stimulating study of lectures by ancient philosophers that were recorded by their students. Raffaella Cribiore shows how the study of notes—whether Philodemus of Gadara's notes of Zeno's lectures in the first century BCE, or Arrian recording the Discourses of Epictetus in the second century CE, or the students of Didymus the Blind in the fourth century and Olympiodorus in the sixth century—can enable us to understand the methods and practices of what was an orally conducted education. By considering the pedagogical and mnemonic role of notetaking in ancient education, Listening to the Philosophers demonstrates how in antiquity the written and the spoken worlds were intimately intertwined.
This volume draws examples of work from around the Mediterranean basin to demonstrate the variety of archaeological studies being carried out, and the benefits each of these studies has enjoyed through the use of an interdisciplinary approach.
How did humans and the environment impact each other in the medieval Eastern Mediterranean? How did global climatic fluctuations affect the Byzantine Empire over the course of a millennium? And how did the transmission of pathogens across long distances affect humans and animals during this period? This book tackles these and other questions about the intersection of human and natural history in a systematic way. Bringing together analyses of historical, archaeological, and natural scientific evidence, specialists from across these fields have contributed to this volume to outline the new discipline of Byzantine environmental history. Contributors are: Johan Bakker, Henriette Baron, Chryssa Bourbou, James Crow, Michael J. Decker, Warren J. Eastwood, Dominik Fleitmann, John Haldon, Adam Izdebski, Eva Kaptijn, Jürg Luterbacher, Henry Maguire, Mischa Meier, Lee Mordechai, Jeroen Poblome, Johannes Preiser-Kapeller, Abigail Sargent, Peter Talloen, Costas Tsiamis, Ralf Vandam, Myrto Veikou, Sam White, and Elena Xoplaki
Jesus and the Manuscripts, by popular author and Bible scholar Craig A. Evans, introduces readers to the diversity and complexity of the ancient literature that records the words and deeds of Jesus. This diverse literature includes the familiar Gospels of the New Testament, the much less familiar literature of the Rabbis and of the Qur’an, and the extracanonical narratives and brief snippets of material found in fragments and inscriptions. This book critically analyzes important texts and quotations in their original languages and engages the current scholarly discussion. Evans argues that the Gospel of Thomas is not early or independent of the New Testament Gospels but that it should be d...
In 11 in-depth essays and over 500 encyclopedia entries, a cast of experts provides fresh perspectives on an era marked by the rise of two world religions, unprecedented upheavals, and the creation of art of enduring glory. 79 illustrations, 16 in color.
In Three Hundred Years of Death: The Egyptian Funerary Industry in the Ptolemaic Period, Maria Cannata provides a detailed survey of the organisation of the necropolises and the funerary workers, as well as their role in the practical aspects of the mummification, funeral, burial, and mortuary cult of the deceased, in Ptolemaic Egypt (332-30 BC). The author gathers together and synthesises hundreds of the original textual sources, as well as the relevant archaeological sources, on the organisation of the funerary industry and its practitioners, revealing important regional and chronological variations overlooked in studies focusing on a limited geographical area, a shorter timeframe, or a smaller group of documents.
The twelve studies contained in this second collection by Henry Maguire are linked together by a common theme, namely the relationship of Byzantine art to the imaginary. They show how art enabled the Byzantines not only to imagine the sacred events of the past, but also to visualize the invisible present by manifesting the spiritual world that they could not see. The articles are grouped around the following five topics: the depiction of nature by the Byzantines before and after iconoclasm, especially in portrayals of the earthly and the spiritual Paradise; the social functions and theological significance of classical artistic forms in Byzantine art after iconoclasm; the association between rhetoric and the visual arts in Byzantium, especially in contrast to the role played by liturgical drama in western medieval art; the relationship of the visual arts to Byzantine concepts of justice and the law, both human and divine; and portrayals of the two Byzantine courts, the imperial court on earth and the imagined court in heaven. The papers cover a wide range of media, including floor and wall mosaics, paintings in manuscripts and churches, ivory carvings, coins, and enamel work.