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NSA agent Eric Price is sent to Sedona, Arizona to investigate strange activities at a secret underground base. A new type of stealth aircraft is being tested there, he discovers. But there’s something odd about the set-up, and Eric must investigate further. With the help of the beautiful Nataly, he begins to penetrate the mystery of the Sedona Conspiracy, and discovers that it has extraterrestrial origins. But more than one alien race is involved, and suddenly Eric and Nataly find themselves caught between two warring species--one of which may be their own! An exciting science fiction thriller in the grand tradition! "Sedona Conspiracy blends a sympathetic understanding of New Age culture...
With a little help from a goddess, battling evil is a piece of cake for Jocelyn Gibson. A descendant of the goddess Isis, Jocelyn Gibson may have forgotten about the realm of magic, but it hasn't forgotten her. When Eric Hendricks is targeted by a demon, Joss must step in to battle the evil and save the town's awkward, but endearing, vet. . .who also happens to be the man she loves. Joss's new inn, a culinary career specializing in cooking with lavender and a new love all make for a fine recipe of disaster. She needs to embrace her inner goddess and harness the powers she never knew she had before it's too late. "I can't wait to see where else Cate Masters takes us." —The Romance Reviews "A ton of adventure." —Bitten by Romance 89,795 Words
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This is a critical history of spy fiction, film and television in the United States, with a particular focus on the American fictional spies that rivaled (and were often influenced by) Ian Fleming's James Bond. James Fenimore Cooper's Harvey Birch, based on a real-life counterpart, appeared in his novel The Spy in 1821. While Harvey Birch's British rivals dominated spy fiction from the late 1800s until the mid-1930s, American spy fiction came of age shortly thereafter. The spy boom in novels and films during the 1960s, spearheaded by Bond, heavily influenced the espionage genre in the United States for years to come, including series like The Man from U.N.C.L.E. and Matt Helm. The author demonstrates that, while American authors currently dominate the international spy fiction market, James Bond has cast a very long shadow, for a very long time.
Re-examining C.Wright Mills’s legacy as a jumping off point, this original introduction to sociology illuminates global concepts, themes and practices that are fundamental to the discipline. It makes a case for the importance of developing a sociological imagination and provides the steps for how readers can do that. The unique text: • Offers succinct and wide-ranging coverage of many of the most important themes and concepts taught in first year sociology courses; • Has a global framework and case material which engages with decoloniality and critiques an overly white, western and developed world view of sociology; • Is woven through with contemporary examples, from social media to social inequality, big data to the self-help industry; • Rethinks and re-imagines what a critically committed, politically engaged and publicly relevant sociology should look like in the 21st century. This is a lively, engaging and accessible overview of sociology for all its students, teachers and people who want to learn more about sociology today. It is a welcome clarion call for sociology’s importance in public life.
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Drawing on affect theory and research on academic capitalism, this book examines the contemporary crisis of universities. Moving through 11 international and comparative case studies, it explores diverse features of contemporary academic life, from the coloniality of academic capitalism to performance management and the experience of being performance-managed. Affect has emerged as a major analytical lens of social research. However, it is rarely applied to universities and their marketisation. Offering a unique exploration of the contemporary role of affect in academic labour and the organisation of scholarship, this book considers modes of subjectivation, professional and personal relationships and organisational structures and their affective charges. Chapter 9 is available Open Access via OAPEN under CC-BY-NC-ND licence.
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