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The art of Gary Ernest Smith speaks for landscapes and cultures rarely, if ever, spoken for in contemporary American art. A concept of place and of the people who inhabit particular places loom large in Smith's vision. The art of Gary Ernest Smith celebrates what we once had; it is a lament for vanishing places and farm-based culture. First and foremost, Smith is a painter and sculptor of rural subjects.
In this newest addition to Sandra M. Gilbert’s Ad Feminam: Women and Literature series, Diane P. Freedman brings together twelve essays by critics of poetry and women’s writing for a critical reappraisal of the prolific work of Edna St. Vincent Millay. Though finding its occasion in the life of Millay—the centennial of the writer’s birth—this volume refocuses attention on Millay’s art by asking questions central to our present concerns: What in the varied body of Millay’s work speaks to us most forcefully today? Which critical perspectives most illuminate her texts? How might those approaches be challenged, extended, or reoriented? In seeking the answers to such questions, the ...