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Perspective Made Easy
Perspective is easy; yet, surprisingly few artists know the simple rules that make it so. Remedy that situation with this simple, step-by-step book, the first devoted entirely to the topic. 256 illustrations.
Perspective Drawing
Perspective is one of the most important concepts for an artist to understand. In this valuable beginnerÆs guide, acclaimed artist Ernest Norling teaches you how to use perspective to create a sense of depth and realism in your artwork. Perspective covers techniques for drawing in one-, two-, and three-point perspective, as well as information on how to use vanishing points and the horizon line to establish believable depth. Special attention is given to learning to draw circles, cylinders, and people in perspective. Whether you specialize in drawingùeven cartooning or animationùor painting in acrylic, pastel, oil, or watercolor, a good working knowledge of perspective is essential. DonÆt be surprised if you find yourself referring to this essential guide again and again!
Light, Shade and Shadow
Without shading, even a beautiful drawing can appear flat. But artists can learn to add dimension to their work with these techniques, illustrations, and exercises that show how to achieve effects with light and shadow.
Perspective Drawing Handbook
DIVConcisely written text accompanied by more than 150 simply drawn illustrations together demonstrate vanishing points and eye level and explain such concepts as appearance versus reality and perspective distortion. /div
Creative Perspective for Artists and Illustrators
Distinguished educator shows that violating the academic rules of perspective can be as important as adhering to them. Coverage of the picture plane, foreshortening and convergence, three-point perspective, figures in perspective, more. Also analysis of the works of over 20 leading illustrators and artists, including Pieter de Hooch and Paul Ceacute;zanne. 349 illustrations.
Perspective for Artists
Depth, perspective of sky and sea, shadows, much more, not usually covered. 391 diagrams, 81 reproductions of drawings and paintings.
The Fundamentals of Drawing
This internationally bestselling guide covers essential drawing techniques, written by expert practical art author Barrington Barber. The Fundamentals of Drawing is a practical and comprehensive drawing course from beginner to advanced levels. Opportunities for practice and improvement are offered across a wide spectrum of subjects with step-by-step examples to guide you through. Subjects include: • Still life • Plants, nature and animals • Portraiture and life drawing • Perspective and composition The methods used in this book are time-honored and proven, having been practiced through the centuries by art students and professional artists. Barrington Barber brings his invaluable expertise as a working artist and teacher to the task of showing you how to use them effectively to create successful drawings. No matter what your level of expertise, you will find his clear approach encouraging and his way of teaching inspirational.
Perspective Drawing for Beginners
The amateur artist faces many challenges. To Len A. Doust, perspective is by far the most problematic. With his trademark humor, the author/artist turns his expert eye toward that "dreaded, horrid word." In a clearly written how-to guide on mastering the art of perspective, he carefully: • describes the roles of lines, boxes, and circles • provides shortcuts for visualizing shapes and forms • incorporates thirty-three plates of helpful illustrations One of the most concise introductions available for beginners, this practical volume will be an important addition to any artist's resource library.
Perspective Drawing
This richly illustrated guide to perspective drawing features 17 reproductions of ancient and modern art, plus more than 200 instructive figures. The first half encourages freehand drawing, cultivating practical exposure to the principles of perspective. The second part addresses the laws and theories that constitute the science of perspective. Encouraging students to begin immediately with pencil drawings, the first part examines the application of perspective to depicting light and shade, textured objects, and imaginary as well as existing forms. The second part deals exclusively with rules of perspective, covering a wide scope and explaining the mechanics of perspective thoroughly and yet simply. Intended as an auxiliary to the first half's drawing instructions, part two is organized for ready reference as students progress through part one.
