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With this masterful work, Louis A. Perez Jr. transforms the way we view Cuba and its relationship with the United States. On Becoming Cuban is a sweeping cultural history of the sustained encounter between the peoples of the two countries and of the ways that this encounter helped shape Cubans' identity, nationality, and sense of modernity from the early 1850s until the revolution of 1959. Using an enormous range of Cuban and U.S. sources--from archival records and oral interviews to popular magazines, novels, and motion pictures--Perez reveals a powerful web of everyday, bilateral connections between the United States and Cuba and shows how U.S. cultural forms had a critical influence on the development of Cubans' sense of themselves as a people and as a nation. He also articulates the cultural context for the revolution that erupted in Cuba in 1959. In the middle of the twentieth century, Perez argues, when economic hard times and political crises combined to make Cubans painfully aware that their American-influenced expectations of prosperity and modernity would not be realized, the stage was set for revolution.
How Italian artists have represented one of the most revered religious images--the angel
For centuries, the Bible's dramatic accounts have inspired artists to express the beauty, emphasize the power, and elaborate on the meaning of God's Word. Each elective study in the Through Artists' Eyes series is designed to help people connect classic art to the Bible and then apply the truths discovered to their own lives. In God's Word Through Glass you'll experience the artistry of six stained glass masterpieces while discovering and discussing the scriptural inspiration behind each one. You'll explore the themes of overruling God, resisting leaders, immediate gratification, easy answers, mocking holiness, and comfortable religion. Each of the six sessions includes: • Broken Pieces—...
With this masterful work, Louis A. Pĩrez Jr. transforms the way we view Cuba and its relationship with the United States. On Becoming Cuban is a sweeping cultural history of the sustained encounter between the peoples of the two countries and of t
No two men were more influential in the early Church than Ambrose, the powerful Bishop of Milan, and Augustine, the philosopher from provincial Africa who would write The Confessions and The City of God. Different in background, they were also extraordinarily different in personality. In Font of Life, Garry Wills explores the remarkable moment when their lives intersected at one of the most important, yet rarely visited, sites in the Christian world. Hidden under the piazza of the Duomo in Milan lies part of the foundations of a fourth-century cathedral where, at dawn on Easter of 387, Augustine and a group of people seeking baptism gathered after an all-night vigil. Ambrose himself performe...
Renaissance music, like its sister arts, was most often experienced collectively. While it was possible to read Renaissance polyphony silently from a music manuscript or print, improvise alone, or perform as a soloist, the very practical nature of Renaissance music defied individualism. The reading and improvisation of polyphony was most frequently achieved through close co-operation, and this mutual endeavour extended beyond the musicians to include the society to which it is addressed. In sixteenth-century Milan, music, an art traditionally associated with the court and cathedral, came to be appropriated by the old nobility and the new aristocracy alike as a means of demonstrating social p...
The second volume of Leonardo Studies explores a dual theme of nature and architecture, offering a wide-ranging overview of current Leonardo scholarship on these two abundant subjects. While Leonardo worked on his Treatise on Painting, he noted that understanding the physical properties of nature must precede individual projects of painting or designing buildings. The volume begins with the Trattato, and follows with physics, geology, painting that imitates architectural structure and vice-versa, and proceeds to architectural projects, questions of attribution, urban planning, and and the dissemination of Leonardo’s writings in the Trattato and its historiography. This impressive group of articles constitutes not only new research, but also a departure point for future studies on these topics. Contributors are: Janis Bell, Andrea Bernardoni, Marco Carpiceci, Paolo Cavagnero, Fabio Colonnese, Kay Etheridge, Diane Ghirardo, Claudio Giorgione, Domenico Laurenza, Catherine Lucheck, Silvio Mara, Jill Pederson, Richard Schofield, Sara Taglialagamba, Cristiano Tessari, Marco Versiero, and Raffaella Zama.
This book proposes a method of mystagogy based on the preaching of Ambrose of Milan. Chapter 1 establishes the need for mystagogy. chapter 2 lays out the historical context of Ambrose and his church. Chapters 3-8 are a series of six historical studies on Ambrose and his church that correspond to the components of a homiletic method. Chapter 9 proposes a method of mystagogy for the contemporary church based on Ambrose's preaching.
A thoughtful, highly acclaimed biography of Giovanni Battista Montini, Paul VI, which sheds light on and powerfully underscores the personal and ecclesial sides of a man who brought modernity to the church.
Dalla penna di Stefano Santachiara, già autore de I panni sporchi della sinistra (Chiarelettere, 2013, pagg. 382, alla quarta ristampa) arriva un saggio sul controllo sociale esercitato dal potere attraverso il calcio. Il business dei contestati Mondiali in Brasile ingrassa la Fifa e i brand player, i manager e i procuratori, le tv e i grandi marchi per miliardi di tifosi-consumatori. Mentre tutti giocano a fare i Re Mida, le società di football sono in rosso per pagare premi e stipendi lievitati per effetto della liberalizzazione della legge Bosman e della perdita del senso del limite. Come nell'economia reale, le banche sono decisive per vita, morte e miracoli dei club di cui vantano cre...