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Brahms 2
Half of these twelve original essays by international authorities are critical analyses of Brahm's music, while the remainder discuss influences, the reception of his music and his place in history.
Zarathustra's Secret
In this groundbreaking biography, the author seeks to understand Nietzsche's philosophy through a reconstruction of his inner life. "Briskly written . . . almost a philosophical detective story."--"Volksblatt." 43 illustrations.
Brahms and His World
As an influential and well-connected composer, Johannes Brahms (1833-1897) had encountered, befriended, and collaborated with hundreds of people over his significant career. In Brahms and His World: A Biographical Dictionary, author Peter Clive provides extensive and up-to-date information on the composer's personal and professional association with some 430 persons. These persons include relatives, friends, acquaintances, and physicians; fellow musicians and composers whom Brahms particularly admired and in the editions of whose works he was involved; conductors, instrumentalists, and singers who took part in notable or first performances of his works; poets whose texts he set to music; pub...
How Christian Is Our Present Day Theology?
This book is a translation of Overbeck's famous text, Ueber die Christlichkeit unserer heutigen Theologie (1873, second edition 1903), together with an introduction and notes. The complete original work is translated, including the Introduction and Epilogue, which incorporates some of Overbeck's late reflections on his friendship with Nietzsche and on theology. The unique feature of this book is that it is the first translation into English of any substantial publication by Overbeck. This is also the only work of a programmatic nature that Overbeck ever published on the vexed issue of theology's relationship to Christianity. It raises questions about Christianity in the modern world and the role of theology within religion that still need to be answered. As David Tracy has written, "Overbeck's friend Nietzsche used a hammer against theology; Overbeck himself used a scalpel. And Overbeck is finally the deeper challenge for theology."This translation will make Overbeck's classic work available to a wider public, and thus contribute to a better appreciation of his profound and still unanswered questions for contemporary Christianity.
Richard Wagner and His World
Richard Wagner (1813-1883) aimed to be more than just a composer. He set out to redefine opera as a "total work of art" combining the highest aspirations of drama, poetry, the symphony, the visual arts, even religion and philosophy. Equally celebrated and vilified in his own time, Wagner continues to provoke debate today regarding his political legacy as well as his music and aesthetic theories. Wagner and His World examines his works in their intellectual and cultural contexts. Seven original essays investigate such topics as music drama in light of rituals of naming in the composer's works and the politics of genre; the role of leitmotif in Wagner's reception; the urge for extinction in Tr...
Sämtliche Briefe
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Nietzsche and Antiquity
Wide-ranging essays making up the first major study of Nietzsche and the classical tradition in a quarter of a century. This volume collects a wide-ranging set of essays examining Friedrich Nietzsche's engagement with antiquity in all its aspects. It investigates Nietzsche's reaction and response to the concept of "classicism," with particular reference to his work on Greek culture as a philologist in Basel and later as a philosopher of modernity, and to his reception of German classicism in all his texts. The book should be of interest to students of ancient history and classics, philosophy, comparative literature, and Germanistik. Taken together, these papers suggest that classicism is bot...
Late Thoughts
Collects nine essays that discusses the creativity of influential artists, as well as the legacy of their work following their deaths, and covers Wolfgang Amadeus Mozart, Piet Mondrian, Frank Gehry, and others.
Nietzsche My Sister and I
Fifty-one years after the philosopher Friedrich Nietzsche died, My Sister and I appeared on the American market as a book that was reputedly written by him when he was an inmate in the Jena insane asylum. Since the day it appeared, the book’s authenticity has been generally dismissed as a fraud. Walter Stewart takes a fresh look at this book in what is the first detailed account of the myth, legend, and scholarly criticism that has shrouded this work in mystery for over half a century and for the first time unveils the real truth about My Sister and I.
Violence and Nihilism
Nihilism seems to be per definition linked to violence. Indeed, if the nihilist is a person who acknowledges no moral or religious authority, then what does stop him from committing any kind of crime? Dostoevsky precisely called attention to this danger: if there is no God and no immortality of the soul, then everything is permitted, even anthropophagy. Nietzsche, too, emphasised, although in different terms, the consequences deriving from the death of God and the collapse of Judeo-Christian morality. This context shaped the way in which philosophers, writers and artists thought about violence, in its different manifestations, during the 20th century. The goal of this interdisciplinary volume is to explore the various modern and contemporary configurations of the link between violence and nihilism as understood by philosophers and artists (in both literature and film).
