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Mirror to the Cage (c)
This volume presents the works of three distinguished contemporary Hungarian playwrights which together mirror and elucidate the calamitous history of East Central Europe from World War II to the 1970s. Genre 3:
Musorgsky
Incorporating both new and now-classic essays, this book sets the vocal works of Modest Musorgsky in a fully detailed cultural, political, and historical context, elevating the composer's image over other biographers. Among the book's many offerings are the most complete explanation of the revision of the opera "Boris Godunov", and a revisionary characterization of "Khovanshchina" as an aristocratic tragedy resulting from a pessimistic view of history. Includes 102 music examples.
From Mutual Observation to Propaganda War
The Arab spring, protest movements in the EU, Russia, Turkey or elsewhere, are often labeled as twitter-revolutions. A crucial role is attributed to the new media, coverage of events abroad and ensuing mutual reactions. With the dissemination of print, revolts in early-modern times faced the challenge of a similar media-revolution. This influenced the very face of the events that could become full-fledged propaganda wars once the insurgents had won access to the printing press. But it also had an impact on revolt-narratives. Governments severely persecuted dissident views in such delicate issues as revolts. Observers abroad had no such divided loyalties and were freer to reflect upon the events. Therefore, the book focuses mainly on representations of revolts across borders.
Silence and the Rest
Silence and the Rest argues that throughout its entire history, Russian poetry can be read as an argument for "verbal skepticism," positing a long-running dialogue between poets, philosophers, and theorists central to the antiverbal strain of Russian culture.
Refiguring the Hero
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Camus
This is the first full-length study in English of Camus's life-long fascination with the works of the Russian writer Feodor Dostoevsky. The purpose of the book is to demonstrate the ways in which Dostoevsky's thought and fiction served to stimulate and crystallize Camus's own thinking. Davison lucidly identifies the lines of divergence and counter-arguments which Camus produced as answers to the challenge of Dostoevsky's Christian/Tzarist vision of life. The traditional methods of comparative literary criticism are jettisoned in favour of the more exciting claim that Camus's literary and philosophical texts can be read as precise and detailed replies to some of Dostoevsky's central beliefs about immortality, religion and politics. The study ranges freely over the entirety of the works of both major writers.
Hagiography and Modern Russian Literature
The heritage of medieval hagiography, the diverse and voluminous literature devoted to saints, was much more important in nineteenth-century Russia than is often recognized. Although scholars have treated examples of the influence of hagiographic writing on a few prominent Russian writers, Margaret Ziolkowski is the first to describe the vast extent of its impact. Some of the authors she discusses are Kondratii Ryleev, Aleksandr Bestuzhev-Marlinskii, Fedor Dostoevsky, Leo Tolstoy, Nikolai Leskov, Gleb Uspenskii, Dmitrii Merezhkovskii, and Maksimilian Voloshin. Such writers were often exposed to saints' lives at an early age, and these stories left a deep impression to be dealt with later, wh...
Manna
A prose-poem on two married couples involved in the revolutionary struggle. One is Nelson and Willie Mandella of South Africa, the other Russian poet Osip Mandelstam and his wife, Nadezhda. In drawing parallels, the author stresses the contribution of the wives.
Poems from Mandelstam
The texts in this volume represent all periods of Osip Mandelstam's work: from his brilliant pre-Acmeist boyhood; through the heyday of Acmeism, the Revolution, World War I, and Civil War; and on to the poet's harsh final years of ostracism, Voronezh exile, and death in a camp near Vladivostok.
Dostoevsky's The Idiot
This book is designed to guide readers through Dostoevsky's The Idiot, first published in 1869 and generally considered to be his most mysterious and confusing work.
