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God Is a Tree: and Other Middle-Age Prayers by Esther Cohen
"A tiny, fabulous book of poems, a distinctive quiet, humorous voice, about getting older. And who isn’t getting older? Sensible and yet original, nothing sentimental or smarmy, this is great great poetry couched in a ‘who, me?’ way. Esther Cohen has a brand new fan in me. I am going to buy a zillion copies of this, the perfect gift. Takes 2 0 minutes to read, if that, yet I know it will keep me company for years and years. I’d put it between Allen Ginsberg and a book of Rumi maybe. They’re tiny prayers, numbered. Here’s Twenty Nine: “The truth is I’ve had a hard time with forgiveness. Revenge is easier. Last year I read four forgiveness books, talked to a few serious Christians and Jews even a Buddhist a Hindu a Sikh and an agnostic. I don’t intuitively turn the other cheek, and don’t know how. And I’m talking about pettiness, not wars or larger wrongs. I’d like to learn, and thought one way might be to say the word three times each day: forgive forgive forgive Amen" - Janet, Goodreads
Overheard
These poems are stories of what life looks like, and what people say.Esther Cohen looks and listens, and then she writes life down.
The Modulated Scream
This book provides an integral, readable account of changing attitudes toward pain in late medieval Europe. Since pain itself cannot be known, the book looks at pain by chronicling what people wrote about it, and what they did with and about that.
Breakfast with Allen Ginsberg
Esther Cohen (Book Doctor, Don't Mind Me and Other Jewish Lies, GOD IS A TREE AND OTHER MIDDLE-AGED PRAYERS, and No Charge for Looking) lives in New York City where she is Executive Director of Bread and Roses, the national non-profit cultural program of New York's union for health care workers. Winner of a Pure Visionary Award for a photographic project she initiated to give cameras and photography lessons to working men and women across the country, Cohen is a storyteller and humorist.
The Crossroads of Justice
An analysis of the cultural and social functions of law, legal processes and legal rituals in late medieval northern France. It interprets the various influences upon the shaping of law as a cultural manifestation and its application as an actual system of justice.
Book Doctor
Everyone wants to write a book. Arlette Rosen knows this and earns her living helping strangers with their book ideas: books about Derrida and dieting, books of psychic exercises, a compendium of Alzheimer's jokes, and of course, an infinite number of books about love. Enter Harbinger Singh: a tax lawyer still in love with his ex–wife and set on revenge, who believes he can win her back by writing a book. All he needs is help with the actual writing. The lives of Arlette and Harbinger intertwine in unexpected ways as they meander along a path filled with writing, sex, movies, love, music, and continual revelation. Cohen has crafted a modern–day romance and a hilarious, knowing look at the troublesome process of bringing a book into the world—for readers and struggling writers everywhere.
Don't Mind Me
We all tell lies. But Jewish lies are a little bit different. Here's an example: It doesn't matter if you read this. The Jewish people speak many languages. There's English, of course, and Hebrew, and let's not forget Yiddish and Ladino. But the language Jews have mastered is saying one thing and meaning another. And after a while, everyone understands the real meaning of the "lie." Esther Cohen has been listening all her life. She's written down what she's heard, and the result is this small book with a big punch: the first ever list of these subtle (sort of), sly (very), and hilarious Jewish "lies." New Yorker cartoonist Roz Chast is a master interpreter of lies herself--bringing this particular set to life in her inimitably quirky style. Don't Mind Me is a unique compilation of all-too-familiar phrases guaranteed to make you smile. For anyone who's ever been on the receiving end of one of these lies, this is one book that rings absolutely true.
Knowledge and Pain
Pain studies, both in exact sciences and in the humanities, are a fast-shifting field. This volume condenses a spectrum of recent views of pain through the lens of humanistic studies. Methodologically, the volume is an interdisciplinary study of the quest
God Is a Tree
Poetry. Esther Cohen writes with humor and joy and lots of energy. You can't help but smile when you encounter her delightful images. In her title poem, for example, you learn that she once wrote a poem and "'God Is a Tree' was the title. / Louis Savitsky didn't like it./ He asked why / I had the chutzpah / to believe I knew. / A few years later, Louis's daughter / became a Scientologist." It is those seemingly unrelated comments, presented with a straight "face," that startle and amuse as they challenge one's thinking. These poems have a definite Jewish tone to them, but certainly one doesn't need to be Jewish in order to appreciate them.
All of Us
Serving as both driver and tour guide, Cohen introduces us to a memorable cast of imperfect, identifiable villagers: loudmouths, late-in-life lovers, jilted spouses, settled seniors poised to jump off the diving board into the bracing waters of risk.
