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Author Samuel Ndogo offers an understanding of the autobiographical genre in contemporary Kenyan literature. He draws attention to life-writing as a form of cultural re-imagination in post-colonial Africa. Taking into consideration contradictions and paradoxes of referentiality in life writing, this book examines the autobiographies of Jaramogi Oginga Odinga, Ngugi wa Thiong'o, Wangari Maathai, and Bethwell Ogot. The analysis dwells on self-representations in correlation with imaginations of the 'Kenyan nation' in these works. Thus, the study gives a critical account into the modern memoir: the forms and styles it takes, the ways in which these authors tend to understand and present their lives. (Series: Contributions to African Research / Beitr�¤ge zur Afrikaforschung, Vol. 63) [Subject: African Studies, Literary Criticism]����
Grace Ogot is a well-known Kenyan novelist. In this collection of nine stories, she explores themes of social, cultural and spiritual importance. Her imagery is designed to unveil evils which bedevil modern society, such as violence, lust for power and wealth, and family turmoil. Her stories are imbued with the culture of Kenya.
"A ... story set in Isiakpu, a typical African village, and at the University of Embakassi, a modern African university. It revolves around two Nigerian women, mother and daughter, who struggle to survive in a male chauvinist society where both tradition and modernity confront them with daunting challenges"--
After completing her undergraduate studies Monika Saliku anxiously waits to see what shape her career will take. For her it is a foregone conclusion that she will get an appointment in the city and savour the familiar throb of urban life. However she receives a setback when she is appointed to a bucolic outpost settling for a career she loathes. As she journeys to the small dusty town her struggle to self-realisation has just begun.
In 1903, the British offered Uasin Gishu as a sanctuary and national home for Jews escaping persecution in Eastern Europe. But in the event, this was never put into effect; and instead of refugees, Afrikaner and British officers established themselves in the area. This novel explores the experiences and feelings of an ordinary Jewish settler family in twentieth century East Africa, considering the complex interplay between international politics, colonial dominance, and anti-Semitic and anti-African racist ideologies.
Land Without Thunder is Grace Ogot's first collection of short stories. Her live feeling for the macabre and the fatalistic is reminiscent of the tragedy in her first full-length work, The Promised Land (1966). The stories in the collection are vividly told in a captivating and fast moving narrative.
An interpretation of a Luo myth. The people of GotOwaga lead a placid, almost idyllic, life-style until the glamorous and mysterious Nyawir suddenly appears from an unknown world.
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