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The Nonconformists
Serbia's national movement of the 1980s and 1990s, the author suggests, was not the product of an ancient, immutable, and aggressive Serbian national identity; nor was it an artificial creation of powerful political actors looking to capitalize on its mobilizing power. Miller argues that cultural processes are too often ignored in favor of political ones; that Serbian intellectuals did work within a historical context, but that they were not slaves to the past. His subjects are Dobrica Ćosić (a novelist), Mića Popović (a painter) and Borislav Mihajlović Mihiz (a literary critic). These three influential Serbian intellectuals concluded by the late 1960s that communism had failed the Serbian people; together, they helped forge a new Serbian identity that fused older cultural imagery with modern conditions.
Historical Dictionary of Croatia
The third edition of the Historical Dictionary of Croatia relates the history of this country through a detailed chronology, an introduction, a bibliography, and cross-referenced dictionary entries on significant persons, places, and events; institutions and organizations; and political, economic, social, cultural, and religious facets.
From Conversation to Oral Tradition
This book argues that many of the most prominent features of oral epic poetry in a number of traditions can best be understood as adaptations or stylizations of conversational language use, and advances the claim that if we can understand how conversation is structured, it will aid our understanding of oral traditions. In this study that carefully compares the "special grammar" of oral traditions to the "grammar" of everyday conversation as understood in the field of conversation analysis, Raymond Person demonstrates that traditional phraseology, including formulaic language, is an adaptation of practices in turn construction in conversation, such as sound-selection of words and prosody, and...
Traditional Oral Epic
John Miles Foley offers an innovative and straightforward approach to the structural analysis of oral and oral-derived traditional texts. Professor Foley argues that to give the vast and complex body of oral "literature" its due, we must first come to terms with the endemic heterogeneity of traditional oral epics, with their individual histories, genres, and documents, as well as both the synchronic and diachronic aspects of their poetics. Until now, the emphasis in studies of oral traditional works has been placed on addressing the correspondences among traditions—shared structures of "formula," "theme," and "story-pattern." Traditional Oral Epic explores the incongruencies among traditions and focuses on the qualities specific to certain oral and oral-derived works. It is certain to inspire further research in this field.
Serbian Studies
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