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Perils of the Night
DeLamotte's book begins from the premise that the major conventions of the Gothic romance involve boundaries or barriers, which the Gothicist uses to play simultaneously on the fear of separateness and the fear of unity with some alien Other. She explores this question in the works of English and American writers, including Henry James, Mary Shelley, Herman Melville, Hawthorne, Emily Bronte, and Charlotte Bronte.
Women Imagine Change
A collection of the words of women spaning some 26 centuries from every corner of the earth and from many cultures.
The Gothic Other
Literary use of the Gothic is marked by an anxious encounter with otherness, with the dark and mysterious unknown. From its earliest manifestations in the turbulent eighteenth century, this seemingly escapist mode has provided for authors a useful ground upon which to safely confront very real fears and horrors. The essays here examine texts in which Gothic fear is relocated onto the figure of the racial and social Other, the Other who replaces the supernatural ghost or grotesque monster as the code for mystery and danger, ultimately becoming as horrifying, threatening and unknowable as the typical Gothic manifestation. The range of essays reveals that writers from many canons and cultures are attracted to the Gothic as a ready medium for expression of racial and social anxieties. The essays are grouped into sections that focus on such topics as race, religion, class, and centers of power.
Narrating Marriage in Eighteenth-Century England and France
In the eighteenth century, when the definition of marriage was shifting from one based on an hierarchical model to one based on notions of love and mutuality, marital life came under a more intense cultural scrutiny. This led to paradoxical forms of representation of marriage as simultaneously ideal and unlivable. Chris Roulston analyzes how, as representations of married life increased, they challenged the traditional courtship model, offering narratives based on repetition rather than progression. Beginning with English and French marital advice literature, which appropriated novelistic conventions at the same time that it cautioned readers about the dangers of novel reading, she looks at ...
Gates of Freedom
Rediscovers and celebrates the long-neglected writing of one of the world's most important feminist anarchists
Women and Gothic
This small collection of essays explores women’s relationship with the gothic: a relationship which has, since its eighteenth-century beginnings, always been complex. These essays demonstrate some of the scope and diversity of that relationship, and much of its intensity: the ingenuity and genius employed, the anguish experienced and the risks taken, in its evolution. Genuinely representative of gothic’s flexibility and presence in everything from novels to architecture, from surrealist art to hypertext fiction, this volume brings new primary sources and topics to the reader’s attention, and will be of interest to anyone who wants to expand and challenge their understanding of how and why women engage with the gothic.
A Geography of Victorian Gothic Fiction
This is the first major full-length study of Victorian Gothic fiction. Combining original readings of familiar texts with a rich store of historical sources, A Geography of Victorian Gothic Fiction is an historicist survey of nineteenth-century Gothic writing--from Dickens to Stoker, Wilkie Collins to Conan Doyle, through European travelogues, sexological textbooks, ecclesiastic histories and pamphlets on the perils of self-abuse. Critics have thus far tended to concentrate on specific angles of Gothic writing (gender or race), or the belief that the Gothic 'returned' at the so-called fin de si cle. Robert Mighall, by contrast, demonstrates how the Gothic mode was active throughout the Victo...
Back to the Present, Forward to the Past
The island of Ireland, north and south, has produced a great diversity of writing in both English and Irish for hundreds of years, often using the memories embodied in its competing views of history as a fruitful source of literary inspiration. Placing Irish literature in an international context, these two volumes explore the connection between Irish history and literature, in particular the Rebellion of 1798, in a more comprehensive, diverse and multi-faceted way than has often been the case in the past. The fifty-three authors bring their national and personal viewpoints as well as their critical judgements to bear on Irish literature in these stimulating articles. The contributions also ...
Histoire de La Duchesse de C***', by Stephanie de Genlis
A 100-page Gothic tale embedded in Genlis's 1782 novel 'Adèle et Théodore', the 'Histoire de la duchesse de C***' tells the story of an Italian duchess secretly imprisoned by her husband for nine years in a dungeon under his palace after he drugs her, simulates her death, and buries a waxen figure in her place. In a footnote to the 1804 edition of the novel, Genlis explains that the story is based on the experiences of the Italian Duchess of Cerifalco, whom Genlis met in Rome in 1776. The duchess's tale quickly became so popular that Genlis published it in a separate edition in 1783; as Genlis's fame as a writer and educator spread, both the novella and the novel from which it was drawn we...
Fairy Tales on the Teen Screen
This book examines how the fairy tale is currently being redeployed and revised on the contemporary teen screen. The author redeploys Victor Turner’s work on liminality for a feminist agenda, providing a new and productive method for thinking about girlhood onscreen. While many studies of teenagehood and teen film briefly invoke Turner’s concept, it remains an underdeveloped framework for thinking about youth onscreen. The book’s broad scope across teen media—including film, television, and online media—contributes to the need for contemporary analysis and theorisation of our multimedia cultural climate.
