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The definitive battle in the clash of empires that has defined Europe for 500 years
As it considers early modern medical theories, sexual myths, and intergenerational conflicts, this book traces the development of the comic old man character in Renaissance comedy, from his many incarnations in Venice and Florence to his popularity on the English stage. As Anthony Ellis shows how English dramatists adapted an Italian model to portray concerns about growing old, he sheds new light on early modern society's complex attitudes toward aging.
The aim of this book is to demonstrate that the sixteenth-century "ecumenical movement," and in particular, the colloquy between Catholics and Protestants at Regensburg in 1541, was by no means an idle "dream of an understanding," doomed from the start. Contarini's campaign for reconciliation mirrors the richness and elusiveness of pre-Tridentine Catholicism. It was the clash of cultures and politics as much as purely theological considerations that led to the failure of the Regensburg colloquy. Contarini was not without sympathy for Lutheran theology until faced by the full implications of a Protestant church and a Protestant culture. He then retreated, first to a confessional Catholicism, then to an intolerant Curialism.