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Best European Fiction 2017
This anthology is the essential resource for readers, critics, and publishers interested in contemporary European literature. In this, the eighth installment of the series, the anthology continues its commitment to uncovering the best prose writing happening across the continent from Ireland to Eastern Europe. Also featuring an erudite prefatory essay written by Eileen Battersby of the Irish Times, Best European Fiction 2017 is another essential report on the state of global literature in the twenty-first century.
Best European Fiction 2018
Best European Fiction 2018 brings together some of the most innovative writers working in Europe today.
Best European Fiction 2012
Now in its third year, the Best European Fiction series has become a mainstay in the literary landscape, each year featuring new voices from throughout Europe alongside more established names such as Hilary Mantel, Jean-Philippe Toussaint, Ingo Schulze, George Konrad, Victor Pelevin, and Enrique Vila-Matas. For 2012, Aleksandar Hemon introduces a whole new cross-section of European fiction, and there are a few editorial changes as well. For the first time, the preface will be by an American—Nicole Krauss—and the stories, one per country/language, will be arranged within themes (love, art, war, the body), to facilitate book club and reading group discussions.
Best European Fiction 2011
The launch of Dalkey's Best European Fiction series was nothing short of phenomenal, with wide-ranging coverage in international media such as Time magazine, the New York Times, Wall Street Journal, Chicago Tribune, Financial Times, and the Guardian; glowing reviews and interviews in print and online magazines such as the Believer, Bookslut, Paste, and the Huffington Post; radio interviews with editor Aleksandar Hemon on NPR stations in the US and BBC Radio 3 and 4 in the UK; and a terrific response from booksellers, who made Best European Fiction 2010 an "Indie Next" pick and created table displays and special promotions throughout the US and UK. For 2011, Aleksandar Hemon is back as editor, along with a new preface by Colum McCann, and with a whole new cast of authors and stories, including work from countries not included in Best European Fiction 2010.
Best European Fiction 2013
2013 may be the best year yet for Best European Fiction. The inimitable John Banville joins the list of distinguished preface writers for Aleksandar Hemon's series, and A. S. Byatt represents England among a luminous cast of European contributors. Fans of the series will find everything they've grown to love, while new readers will discover what they've been missing!
Best European Fiction 2016
Since 2010, this anthology has been an essential resource for readers, critics, and publishers interested in contemporary European literature. In this, the seventh installment of the series, Best European Fiction 2016 continues its commitment to uncovering the best prose writing happening on the continent--from Azerbaijan to Denmark, from Portugal to the Ukraine--featuring work by established authors such as Josef Winkler, Christian Gailly, and João de Melo, as well as up-and-coming writers like Krisztina Tóth, Justyna Bargielska, Veronika Simoniti, and Bessora The volume is also a forum for the best translators working today, featuring new translations by Lawrence Venuti, Vera Rich, Amaia Gabantxo, Adrian Nathan West, and many more. Also featuring a provocative prefatory essay written by John Fosse, Best European Fiction 2016 is another essential report on the state of global literature in the twenty-first century.
Best European Fiction 2014
Presents a collection of contemporary short stories from countries in Europe, including Russia, Bulgaria, France, and Iceland, with additional information about the writers and translators.
Best European Fiction 2019
Now in its tenth year, Best European Fiction continues to be an essential resource for readers, critics, and publishers interested in contemporary European literature. This year_s anthology brings together some of the most exciting prose writing in Europe today, by writers such as Alberto Olmos, Lars Petter Sveen, Xabier López López, Teolinda Gersão, and Ádám Bodor. Ranging from the firmly well-established to rising young writers never before translated into English, the stories of Best European Fiction 2019 are bound to provoke and delight.
Reading the Modern European Novel since 1900
An exploration of the modern European novel from a renowned English literature scholar Reading the Modern European Novel since 1900 is an engaging, in-depth examination of the evolution of the modern European novel. Written in Daniel R. Schwarz’s precise and highly readable style, this critical study offers compelling discussions on a wide range of major works since 1900 and examines recurring themes within the context of significant historical events, including both World Wars and the Holocaust. The author cites important developments in the evolution of the modern novel and explores how these paradigmatic works of fiction reflect intellectual and cultural history, including developments ...
Eastern Europeans in Contemporary Literature and Culture
Eastern Europeans in Contemporary Literature and Culture: Imagining New Europe provides a comprehensive study of the way in which contemporary writers, filmmakers, and the media have represented the recent phenomenon of Eastern European migration to the UK and Western Europe following the enlargement of the EU in the 21st century, the social and political changes after the fall of communism, and the Brexit vote. Exploring the recurring figures of Eastern Europeans as a new reservoir of cheap labour, the author engages with a wide range of both mainstream and neglected authors, films, and programmes, including Rose Tremain, John Lanchester, Marina Lewycka, Polly Courtney, Dubravka Ugrešić, Kapka Kassabova, Kwame Kwei-Armah, Mike Phillips, It’s a Free World, Gypo, Britain’s Hardest Workers, The Poles are Coming, and Czech Dream. Analyzing the treatment of Eastern Europeans as builders, fruit pickers, nannies, and victims of sex trafficking, and ways of resisting the stereotypes, this is an important intervention into debates about Europe, migration, and postcommunist transition to capitalism, as represented in multiple contemporary cultural texts.
