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The volume offers an overview of the diverse Jewish experiences in Southeastern Europe from the 19th to the 21st centuries, and the various forms and strategies of their representation in literature, the arts, historiography and philosophy. Southeastern Europe is characterized by a high degree of ethnical, religious and cultural diversity. Jews, whether Sephardim, Ashkenazim or Romaniots – settling there in different periods – experienced divergent life worlds which engendered rich cultural production. Though recent scholarly and popular interest in this heterogeneous region has grown impressively, Jewish cultural production is still an under-researched area. The volume offers an overview of the diverse Jewish experiences in Southeastern Europe from the 19th to the 21st centuries, and the various forms and strategies of their representation in literature, the arts, historiography and philosophy, thus creating a dialogue between Jewish studies, Balkan studies, and current literary and cultural theories.
In the region known as Eastern and East-Central Europe, the framework provided by memory studies became highly valuable for understanding the overload of interpretations and conflicting perspectives on events during the twentieth century. The trauma of two world wars, the development of collective consciousness according to national and ethnic categories, stories of the trampled lands and lives of people, and resistance to the rule of authoritarian and totalitarian terrors—these trajectories left complex layers of identities to unfold. The following volume addresses the issue of identity as a pivot in studies of memory and literature. In this context, it addresses the question of cultural negotiation as it took shape between memory and literature, history and literature, and memory and history, with the help of contemporary authors and their works. The authors take the literature of countries such as Estonia, Poland, Serbia, Ukraine, and Russia as the point of departure, and explain its significance in terms of geographical, theoretical, and thematic perspectives.
Powerful religious elements for living in the aftermath of trauma are embedded within North African Christian hagiographies. The texts of (1) The Passion of Perpetua and Felicity, (2) The Account of Montanus, Lucius, and their Companions, and (3) The Life of Cyprian of Carthage are stories that offered post traumatic pathways to recovery for its historical readership. These recovery-oriented beliefs and behaviors promoted positive religious coping strategies that revolved around a sense of safety, re-establishing community relationships, an integrated sense of self, and a hopeful story beyond trauma. This book vividly demonstrates that hagiographies played a vital therapeutic role in helping early Christian trauma survivors recover and flourish in the aftermath of disastrous persecutions.
Eurasianism has proved to be an unexpectedly diverse and highly self-reflexive concept. By transforming the way we describe the Eurasian landmass, it also resignifies our field of studies and its disciplinary boundaries. In this process, Eurasianism itself is subject to a constant resignification. The present volume builds on this notion while pursuing an innovative approach to Eurasianism. The authors advance the well-established positions that view Eurasianism as a historical intellectual movement or as an ideology of Russian neo-Imperialism, and proceed to unpack an innovative vision of Eurasianism as a process of renegotiating cultural values and identity narratives—in and beyond Russia. This procedural approach provides deeper insight into the operationality of the identity narratives and shifting semantics of Eurasianism in its relation to the Russian World.
Popular media play an important role in reconstructing collective imaginations of history. Dramatic events and ruptures of the 20th century provide the material for playful as well as neo-imperialist and nationalist appropriations of the past. The contributors to the volume investigate this phenomenon using case studies from Belarusian, Russian and Ukrainian popular cultures. They show how in mainstream films, TV series, novels, comics and computer games, the reference to Soviet history offers role models, action patterns and even helps to justify current political and military developments. The volume thus presents new insights into the multi-layered and explosive dynamics of popular culture in Eastern Europe.
This study of contemporary literature from the former Yugoslavia (Post-Yugoslavia) follows the ways in which the feminist writing of gender, body, sexuality, and social and cultural hierarchies brings to light the past of socialist Yugoslavia, its cultural and literary itineraries and its dissolution in the Yugoslav wars. The analysis also focuses on the particularities of different feminist writings, together with their picturing of possible futures. The title of the book suggests an attempt to interpret post-Yugoslav literature as feminist writing, but also a process of conceptualizing a post-Yugoslav literary field, in this study represented by contemporary fiction from Bosnia and Herzegovina, Croatia, and Serbia.
Das Bulletin wird im Auftrage des Slavistenverbandes von Daniel Bunčić sowie dem Redaktionskollegium Bernhard Brehmer, Hermann Fegert, Christoph Garstka, Stefan Heck, Klavdia Smola und Monika Wingender herausgegeben. Die Publikation bietet alljährlich aktuelle Informationen zu den Slavistik-Standorten in Deutschland, zu slavistischen Forschungen und Veröffentlichungen, zu Tagungen, Kooperationen, Studiengängen und einschlägigen Entwicklungen im Fach. Der aktuelle Band würdigt Fachvertreterinnen und Fachvertreter und stellt jüngere Kolleginnen und Kollegen in Kurzporträts vor. Das Bulletin ist zugleich ein Forum für kritische Auseinandersetzungen in und mit dem Fach und beschränkt sich dabei nicht auf nationale Grenzen.
In den zeitgenössischen slavischen Literaturen ist Gewalt allgegenwärtig – als Echo der Revolutionen, Kriege, Diktaturen und Systemumbrüche des 20. Jahrhunderts, als Reaktion auf andauernde und neu ausbrechende Konflikte, als Faszination, Sensation und Kaufanreiz. Gewalt erscheint als narrativ-ästhetischer, tradierter Bestandteil der literarischen Darstellung und als aussagekräftiges, tabubrechendes Motiv. Dieser Band trägt die Ergebnisse einer internationalen Konferenz an der Universität Hamburg zusammen, die sich im Herbst 2012 diesem Thema unter der Trias "Verbrechen – Fiktion - Vermarktung" gewidmet hat. Das breite Spektrum der untersuchten Literaturen (von ost- und west- über südslavische Literaturen, von Prosa über Lyrik und Dramatik) aber auch der Blick über die Literatur hinaus (unter anderem auf Film und Musik), die Vielfalt der Themen, Darstellungsweisen und analytischen Zugänge ergeben ein vielfältiges Bild, das eine Annäherung an die Frage nach den Spezifika literarischer Gewaltdarstellungen ermöglicht.
Welchen Stellenwert nimmt „Arbeit“ gegenwärtig in Kunst und Literatur ein? Wie inszenieren literarische und filmische Werke den Transformationsprozess der Arbeit? Fokussieren sie den konkreten Arbeitsprozess oder reflektieren sie meta-diskursiv unser Verhältnis zur Arbeit? Antworten sie unmittelbar auf die aktuelle Situation ungesicherter Arbeitsverhältnisse oder konterkarieren sie diese mit vergangenen Arbeitstopoi? Verhandeln sie Arbeit kontrapunktisch über deren Abwesenheit oder fokussieren sie auto-poietisch die eigene Textarbeit? Wie lassen sich schließlich Narrative der Arbeit formulieren, und woraus bestehen sie? Die Beiträge liefern Antworten aus Perpektive der vergleichenden, germanistischen und slawistischen sowie romanistischen und anglistischen Literatur-, Kultur- und Medien- sowie Theaterwissenschaft, den Gender-Studies und der Human-Geographie.