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Wassily Kandinsky, Max Ernst, Jackson Pollock, and Joseph Beuys were the leading artists of their generations to recognize the rich possibilities that animism and shamanism offered. While each of these artists' connection with shamanism has been written about separately, Evan Firestone brings the four together in order to compare their individual approaches to anthropological materials and to define similarities and differences between them. The author's close readings of their works and examination of the relevant texts available to them reveal fresh insights and new perspectives.The importance of indigenous beliefs in animism for Kandinsky's philosophy of art and practice, especially the a...
A Companion to James Joyce offers a unique composite overview and analysis of Joyce's writing, his global image, and his growing impact on twentieth- and twenty-first-century literatures. Brings together 25 newly-commissioned essays by some of the top scholars in the field Explores Joyce's distinctive cultural place in Irish, British and European modernism and the growing impact of his work elsewhere in the world A comprehensive and timely Companion to current debates and possible areas of future development in Joyce studies Offers new critical readings of several of Joyce's works, including Dubliners, A Portrait of the Artist as a Young Man, and Ulysses
Endlessly pursued but ever elusive, Moby-Dick roams freely throughout the American imagination. A fathomless source for literary exploration, Melville's masterpiece has also inspired a stunning array of book illustrations, prints, comics, paintings, sculptures, mixed media, and even architectural designs. Innovative and lavishly illustrated, Unpainted to the Last illuminates this impressive body of work and shows how it opens up our understanding of both Moby-Dick and twentieth-century American art. The most continuously, frequently, and diversely illustrated of all American novels, Moby-Dick has attracted some remarkable book illustrators in Rockwell Kent, Boardman Robinson, Garrick Palmer,...
At first, I didn’t find fog – fog found me. Liminal, transformative and increasingly elusive – far from a simple cloud of water droplets, fog is a state of mind. As mist drifted through a copse of trees, turning a familiar place strange and otherworldly, Laura Pashby snapped a photograph and an obsession began. Pashby hunts for fog, walks and swims in it, explores its often pivotal role in literature, mythology and history, as well as its environmental significance. There has been a 50 per cent drop in 'fog events' in the past fifty years, fog is drifting away without us noticing and the ecological impact could be calamitous. As she journeys to the foggiest places she can find, Pashby immerses herself in Dartmoor’s dangerous fog, searches for the Scottish haar, experiences Venice’s magical mist, tell us the myths behind the River Severn’s fog and the shipwrecks it hides. It’s easy to get lost in fog, but sometimes it’s where imperceptible things can be found, including in ourselves. Chasing Fog is a captivating meditation on fog and mist, a love song to weather and nature’s power to transform.
Can studying an artist’s migration provide the key to unlocking a “global” history of art? The artistic biography of Michail Grobman and his group, which was active in Israel in the 1970s, open up this vital new perspective and analytical mode.
The current crisis in thinking the “human” raises questions not only about who or what may come after the human, but also about what happened before. What dark secrets lie in our ancestral past that may be stopping us from becoming human “otherwise”?
An easy-to-navigate guide to Herman Melville's epic American novel, Dive Deeper consists of 135 brief chapters, along with Etymology, Extracts, and Epilogue, each keyed to a phrase, issue, image, sensibility or notion in corresponding chapters of the original.
Nathaniel Wallace’s Scanning the Hypnoglyph chronicles a contemporary genre that exploits sleep’s evocative dimensions. While dreams, sleeping nudes, and other facets of the dormant state were popular with artists of the early twentieth century (and long before), sleep experiences have given rise to an even wider range of postmodern artwork. Scanning the Hypnoglyph first assesses the modernist framework wherein the sleeping subject typically enjoys firm psychic grounding. As postmodernism begins, subjective space is fragmented, the representation of sleep reflecting the trend. Among other topics, this book demonstrates how portrayals of dormant individuals can reveal imprints of the self. Gender issues are taken up as well. “Mainstream,” heterosexual representations are considered along with depictions of gay, lesbian, and androgynous sleepers.
Together they present a broad range of styles and media, from oil, acrylic, and mixed-media paintings and drawings to photography, sculpture, installation art, and video and digital imagery.".
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