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The Raven's Tail
To produce this book, Cheryl Samuel travelled to Leningrad, Copenhagen, and London to examine the six robes in Europe. She also studied the robes housed in museums in Canada and the United States. In 1985, she reconstructed Chief Kotlean's robe, using information she had gathered from her study of the actual robes and Tikhanov's paintings. In the process, she resurrected an old weaving style no longer used by the Native people on the northern coast. Through her extensive and careful research, Cheryl Samuel makes an important contribution to the knowledge of early Indian weaving.
From a Square to a Circle
Delores Churchill, Haida weaver, shares the stories of her life, her culture, and the importance of passing cultural knowledge from one generation to the next. Told with humility, humour, and deep respect, From a Square to a Circle is a testament to the values of her people, a technical guide to her masterful weaving skills, and a gift to the reader at every point along her journey. This book shines light on Delores’s weaving teachers, including her strong-minded mother Selina (Ilst’aayaa), whose teachings Delores once resisted as a child. The Haida are connected to weaving through their history, which goes back thousands of years ago as shown through discoveries like the 4,000-year-old ...
Create Naturally
15 makers present personal stories of how nature inspires and enhances their creativity For artists and crafters of all levels who look for inspiration in nature Stories and projects help you find ways to connect to nature with your own works
This Is Our Life
In September 2009, twenty-one members of the Haida Nation went to the Pitt Rivers Museum and the British Museum to work with several hundred heritage treasures. Featuring contributions from all the participants and a rich selection of illustrations, This Is Our Life details the remarkable story of the Haida Project � from the planning to the encounter and through the years that followed. A fascinating look at the meaning behind objects, the value of repatriation, and the impact of historical trajectories like colonialism, this is also a story of the understanding that grew between the Haida people and museum staff.
In the Spirit of the Ancestors
Published in association with the Bill Holm Center for the Study of Northwest Coast Art, Burke Museum, Seattle, Washington.
Wisdom Engaged
"I listened to my mum, my dad, my gramma, that is why I am still here. That is how you stay alive." —Mida Donnessey Wisdom Engaged demonstrates how traditional knowledge, Indigenous approaches to healing, and the insights of Western bio-medicine can complement each other when all voices are heard in a collaborative effort to address changes to Indigenous communities' well-being. In this collection, voices of Elders, healers, physicians, and scholars are gathered in an attempt to find viable ways to move forward while facing new challenges. Bringing these varied voices together provides a critical conversation about the nature of medicine; a demonstration of ethical commitment; and an examp...
Wild Yarn
A practical and inspirational guide to choosing, blending and spinning richly textured artisan yarn for weaving, knitting and other textile art applications. Imogen Bright Moon is a British Romani textile artist who creates richly textured, highly tactile woven textile works from yarn that she spins and blends herself. In this elegantly designed book Imogen reveals the secrets of her practice. In evocative, engagingly written text accompanied by sumptuous images of her work in her studio throughout the year, she explains: • How to choose raw fibres for use in your work: the author's are ethically sourced from various ecologically responsible sources, including a rescue flock of sheep on th...
Northwest Coast Indian Art
The 50th anniversary edition of this classic work on the art of Northwest Coast Indians now offers color illustrations for a new generation of readers along with reflections from contemporary Northwest Coast artists about the impact of this book. The masterworks of Northwest Coast Native artists are admired today as among the great achievements of the world’s artists. The painted and carved wooden screens, chests and boxes, rattles, crest hats, and other artworks display the complex and sophisticated northern Northwest Coast style of art that is the visual language used to illustrate inherited crests and tell family stories. In the 1950s Bill Holm, a graduate student of Dr. Erna Gunther, f...
Unsettling Native Art Histories on the Northwest Coast
Inseparable from its communities, Northwest Coast art functions aesthetically and performatively beyond the scope of non-Indigenous scholarship, from demonstrating kinship connections to manifesting spiritual power. Contributors to this volume foreground Indigenous understandings in recognition of this rich context and its historical erasure within the discipline of art history. By centering voices that uphold Indigenous priorities, integrating the expertise of Indigenous knowledge holders about their artistic heritage, and questioning current institutional practices, these new essays "unsettle" Northwest Coast art studies. Key themes include discussions of cultural heritage protections and Native sovereignty; re-centering women and their critical role in transmitting cultural knowledge; reflecting on decolonization work in museums; and examining how artworks function as living documents. The volume exemplifies respectful and relational engagement with Indigenous art and advocates for more accountable scholarship and practices.
Weaving Our World
Xaygwaay, (Weaving our World,) There are important ways of life information involved in weaving that are being lost. Acknowledging the work our ancestors left us, to practice weaving and harvesting our resources with respect and mindfulness of ourselves so that, the legacy can continue. The following describes how our communities take care of each other during our happy and sad times. Tlingit, Haida and Tsimpsians believe it is important to hold up our fathers people to keep balance. The celebrations of life and death have sustained our cultures since time immemorial. This adds the spirit to our art forms. Our people believe there is a spirit in all things. The practice of form line, the spirit dimension of trees, fish, birds, human beings, mountains, and glaciers are precious Atoow (icons of our spirit world) of the people of this land.that our weaving, carving, drawing, sewing, beadingetc., tell stories of our families. Haawaa! Gunalcheesh! Thank you to my family, and Alaska Native Fund for helping me complete my book financially and with encouragement.
