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From the Land of the Totem Poles
In 1943 French anthropologist Claude Levi-Strauss arrived in New York City, along with countless refugees from the war in Europe. He became a frequent visitor to the North Pacific Hall at the American Museum of Natural History where he could lose himself in what he affectionately called "a magic place where the dreams of childhood hold a rendezvous, where century-old tree trunks sing and speak, where undefinable objects watch out for the visitor, with the anxious stare of human faces, where animals of superhuman gentleness join their little paws like hands in prayer." Two and a half million people now visit the Museum each year to share in these enchantments. The American Museum houses the m...
Art of the Northwest Coast
A new edition of the seminal overview of the magnificent art of the Northwest Coast, with text from a distinguished authority augmented by full-colour images throughout. Art Of The Northwest Coast is a superbly illustrated and informed overview of the Indigenous art of the Northwest Coast, covering the region from Puget Sound to Haida Gwaii to Alaska, and proceeding from prehistoric times to the present. Created in the spirit of the bestselling Thames & Hudson World of Art series, this groundbreaking volume provides an overview of the development of the art's styles and meanings in the context of the region's social history. A new chapter discusses contemporary artists, including Marianne Nicholson, Nicholas Galanin, Lawrence Paul Yuxweluptun and Sonny Assu, who address pressing issues ranging from Indigenous sovereignty and the destruction of the environment to the power of Indigenous women and efforts to work with the non-Indigenous to heal the wounds of racism and discrimination.
Art of the Northwest Coast
The upheavals of how European contact affected the development of a powerful traditional art are examined in this comprehensive survey of the Native arts of the Pacific Northwest Coast.
Art of the Northern Tlingit
An overview of the art-related theories of American and European scholars, artists, historians and social scientists, which are then refocused on Tlingit art and culture. Illustrated with 70 black and white photographs.
The Totem Pole
A seminal work on the Northwest Coast totem pole by two of the most renowned anthropologists in their field. Totem poles are probably the best-known symbol of First Nations art. Highly regarded anthropologists Aldona Jonaitis and Aaron Glass reconstruct the history of totem poles, analyze their functions in different contexts and highlight the ways in which they have been appropriated -- spreading from the Northwest Coast to World's Fairs -- and how they play an integral part in Aboriginal peoples' struggles for control of their own culture and lands. Solidly researched, engagingly written and generously illustrated, The Totem Pole is an insightful look at the impact of this beautiful art form on Aboriginal peoples and on our society as a whole. It includes short essays by well-known artists and scholars, including Nathan Jackson, Robert Davidson, Susan Point, Richard Hunt, Lyle Wilson, Bill Holm, Robin Wright, Vickie Jensen, Charlotte Townsend-Gault and Andrea Laforet, that illustrate the relationships between people and totem poles.
Chiefly Feasts
The magnificent collection of art made by the Kwakiutl Indians of essays, place the ceremonial regalia in context. 101/2x10 British Columbia, assembled in the late 19th and early 20th centuries for the American Museum of Natural History by Franz Boas and George Hunt, lies at the heart of this catalogue conceived to accompany an exhibition which will tour the US and Canada from 1992-1994. More than 100 pieces, selected from this collection and those of other museums, are illustrated in color. Extended captions incorporating information from members of the Kwakiutl community describe their history and acquisition, and over 80 historical photographs, as well as six Annotation copyrighted by Book News, Inc., Portland, OR
Discovering Totem Poles
Rising from a forest mist or soaring overhead in parks and museums, magnificent cedar totem poles have captured the attention and imagination of visitors to Washington State, British Columbia, and Alaska. Discovering Totem Poles is the first guidebook to focus on the complex and fascinating histories of the specific poles visitors encounter in Seattle, Victoria, Vancouver, Alert Bay, Prince Rupert, Haida Gwaii (Queen Charlotte Islands), Ketchikan, Sitka, and Juneau. It debunks common misconceptions about totem poles and explores the stories behind the making and displaying of 90 different poles. Travelers with this guide in their pockets will return home with a deeper knowledge of the monumental carvings, their place in history, and the people who made them. Watch the book trailer: https://www.youtube.com/watch?v=iAaAnYctJcg
Unsettling Native Art Histories on the Northwest Coast
Inseparable from its communities, Northwest Coast art functions aesthetically and performatively beyond the scope of non-Indigenous scholarship, from demonstrating kinship connections to manifesting spiritual power. Contributors to this volume foreground Indigenous understandings in recognition of this rich context and its historical erasure within the discipline of art history. By centering voices that uphold Indigenous priorities, integrating the expertise of Indigenous knowledge holders about their artistic heritage, and questioning current institutional practices, these new essays "unsettle" Northwest Coast art studies. Key themes include discussions of cultural heritage protections and Native sovereignty; re-centering women and their critical role in transmitting cultural knowledge; reflecting on decolonization work in museums; and examining how artworks function as living documents. The volume exemplifies respectful and relational engagement with Indigenous art and advocates for more accountable scholarship and practices.
Baleen Basketry of the North Alaskan Eskimo
Baskets made of baleen, the fibrous substance found in the mouths of plankton-eating whales—a malleable and durable material that once had commercial uses equivalent to those of plastics today—were first created by Alaska Natives in the early years of the twentieth century. Because they were made for the tourist trade, they were initially disdained by scholars and collectors, but today they have joined other art forms as a highly prized symbol of native identity. Baskets of exquisite workmanship, often topped with fanciful ivory carvings, have been created for almost a century, contributing significantly to the livelihood of their makers in the Arctic villages of Barrow, Point Hope, Wain...
The Yuquot Whalers' Shrine
"In 1905 George Hunt acquired a collection of materials from the Mowachaht band of the Nuu-chahnulth (Nootka) for the American Museum of Natural History. An assemblage of 92 carved wooden figures and whales, 16 human skulls, and the small building that sheltered them, the shrine had for centuries stood in Yuquot, or Friendly Cove, on the remote west coast of Vancouver Island, to be visited only by chiefs and their wives. Since its removal to New York, it has captured the imagination of individuals who have represented it in anthropological and historical writings, film, television, video, and newspapers."--BOOK JACKET. "Aldona Jonaitis investigates and reconstructs the history of the shrine ...
