Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Identity, Community and Australian Artists, 1890-1914
An irresistible call lured Australian artists abroad between 1890 and 1914, a transitional period immediately pre- and post-federation. Travelling enabled an extension of artistic frontiers, and Paris – the centre of art – and London – the heart of the Empire – promised wondrous opportunities. These expatriate artists formed communities based on their common bond to Australia, enacting their Australian-ness in private and public settings. Yet, they also interacted with the broader creative community, fashioning a network of social and professional relationships. They joined ateliers in Paris such as the Académie Julian, clubs like the Chelsea Arts Club in London and visited artist c...
Owen Merton
Produced to support the first comprehensive retrospective exhibition of paintings by landscape watercolourist Owen Merton (1887-1931). Exhibition: 11 June - 26 September 2004
When London Calls
For thousands of young Australians the tearful dockside farewell was a rite of passage as they boarded ships bound for London. For some the journey was an extended holiday, but for many actors, painters, musicians, writers and journalists, leaving Australia seemed to be the only path to personal and professional fulfilment. This book, first published in 2000, is a collective biography of those people who found themselves categorised as expatriates - people such as Leo McKern, Dame Joan Sutherland, Barry Tuckwell, Don Banks, Phillip Knightley, John Pilger, Peter Porter, Richard Neville, Jill Neville and 'megastars' Barry Humphries, Germaine Greer and Clive James. The book tells of choices they made about career and country, yet it is also a cultural history that traces shifts in the complex relationship between Australia and Britain, as the supposed colonial backwater began to develop its own cultural identity.
Whistler to Cassatt
A revelatory look at an underexplored chapter of American art, which took place not on American soil but in France In the late nineteenth and early twentieth centuries, American artists flocked to France in search of instruction, critical acclaim, and patronage. Some, including James McNeill Whistler, John Singer Sargent, and Mary Cassatt, became highly regarded in the French press, advancing their careers on both sides of the Atlantic. Others, notably William Merritt Chase, John Twachtman, Childe Hassam, and Thomas Wilmer Dewing--part of the association known as The Ten--found success working in the style of the French Impressionists, while Henry Ossawa Tanner, Cecilia Beaux, and Elizabeth ...
Collective Creativity
Collective Creativity offers an analysis of the explosion of artistic creativity currently taking place on the South Pacific island of Rarotonga. By exploring the construction of this art-world through the ways in which creativity and innovation are linked to social structures and social networks, this book investigates the social aspects of making fine art in order to present a ’collective’ theory of creativity. With a close examination of tourism, galleries and, of course, the artists themselves, Katherine Giuffre presents a detailed picture of a complex and multi-faceted community through the words of the art-world participants themselves. Theoretically sophisticated, yet grounded with rich empirical data, this book will appeal not only to anthropologists with an interest in the South Pacific, but also to scholars concerned with questions of ethnicity, creativity, globalization and network analysis.
A-E
None
