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Versions Of Ireland
Versions of Ireland brings a refined postcolonial theoretical optic to bear on many of the most urgent questions within contemporary Irish cultural studies. Drawing on, and extending, the most advanced critical work within the discipline, the book offers a subtle critical genealogy of the development of Ireland’s diverse postcolonial projects. Furthermore, it reflects on the relevance and the effectiveness of postcolonial and subaltern historiographical methodologies in an Irish context, interrogating the ethical and political problematics of such discursive importation. Flannery’s work highlights the operative dynamics of imperial modernity, together with its representational agents, in...
Ireland and Postcolonial Studies
A pioneering study of the development of one of the key critical discourses in contemporary Irish studies, this book covers all the major figures, publications and debates within Irish postcolonial criticism, delivering a commentary on this diverse body of work as well as positioning Irish postcolonial criticism within the wider postcolonial field.
Form, Affect and Debt in Post-Celtic Tiger Irish Fiction
Based on readings of some of the leading literary voices in contemporary Irish writing, this book explores how these authors have engaged with the events of Ireland's recent economic 'boom' and the demise of the Celtic Tiger period, and how they have portrayed the widespread and contrasting aftermaths. Drawing upon economic literary criticism, affect theory in relation to shame and guilt, and the philosophy of debt, this book offers an entirely original suit of perspectives on both established and emerging authors. Through analyses of the work of writers including Donal Ryan, Anne Haverty, Claire Kilroy, Dermot Bolger, Deirdre Madden, Chris Binchy, Peter Cunningham, Justin Quinn, and Paul Mu...
Ireland in Focus
From an analysis of the Guinness brand’s reflection of Irish identity to an exploration of murals and film portrayals of political prisoners, this pioneering collection of essays seeks to present Ireland’s relationship to visual culture as a whole. While other works have explored the imagistic history of Ireland, most have restricted their lens to a single form of visual representation. Ireland in Focus is the first book to address the diverse range of visual representations of national and communal identity in Ireland. The contributors examine the politics of visual representation from both historical and contemporary perspectives. Drawing from the areas of cultural theory, postcolonial studies, art criticism, documentary and archival history, and gender studies, the essays provide novel insights on a variety of visual-cultural forms, including film, theater, photography, landscape art, political murals, and the visual iconography of commercial marketing. Bringing together established scholars and emerging young critics in the field, Ireland in Focus breaks new ground in showcasing the essential dynamism of visual culture and its relationship to Irish studies
Colum McCann and the Aesthetics of Redemption
Taking account of all of McCann's literary fiction to date, Flannery considers the ways in which the writer navigates and negotiates between Ireland and the international, and between the past and the contemporary.
Enemies of Empire
Enemies of empire addresses a conspicuous gap in the current literature on colonial and postcolonial literary, theoretical and historical studies and introduces new perspectives on the qualitative nature of empire. Themes examined include Irish literature, African history, Cold War politics, circuits of knowledge, religious history, Indian hunger strikes, early 20th-century humanitarianism, globalization and subaltern studies. Contributors: Linda Connolly (UCC), Michael Griffin (U. Limerick), Eugene O'Brien (Mary I.), Louise Fuller (NUIM), Joseph Lennon (Manhattan College, New York), Ã?Â?Ã?Â?Michael Kilburn (Endicott College, Beverly, MA), Talinn Grigor (MIT), Dan O'Connell (Hobart & William Smith Colleges), Stephen Donovan (Columbia U.), Tiro Sebina (U. Botswana), EÃ?Â?Ã?Â3in Flannery (U. Limerick), Angus Mitchell (U. Limerick).
British Empire and the Literature of Rebellion
This book examines imperial and nationalist discourses surrounding three contemporaneous and unsuccessful mid-nineteenth-century colonial uprisings against the British Empire: the Sepoy Rebellion (1857) in India, the Morant Bay Rebellion (1865) in Jamaica, and the Fenian Rebellion (1867) in Ireland. In reading these three mid-century rebellions as flashpoints for the varying yet parallel attempts by imperialist colonialists, nationalists, and socialists to transform the oppressed colonized worker (the subjected laborer) into one whose identity is created and limited by labor (a laboring subject), this book also tracks varying modes of resistance to those attempts in all three colonies. In drawing from a range of historical, literary, and visual sources outside the borders of the Anglophone literary canon, this book contends that these texts not only serve as points of engagements with the rebellions but also constitute an archive of oppression and resistance.
This Side of Brightness
Colum McCann is one of the most important Irish writers in contemporary literary fiction. His work has been critically acclaimed across the globe for its artistic achievement, its thematic range and its ethical force. This Side of Brightness: Essays on the Fiction of Colum McCann is the first collection of scholarly essays to deal with McCann's oeuvre, drawing on the pioneering critical work of some of the leading figures in Irish literary studies. Touching on a host of central themes in McCann's writing - emigration, race, performance, poverty, travel, nationality and globalization - the volume covers each of McCann's publications and includes a substantial interview with the author. The book is an invaluable resource for current and future scholars of the Irish novel.
The Literary Afterlives of Roger Casement, 1899-2016
This book explores the literary and cultural afterlives ofIreland's most enigmatic, shape-shifting and controversial son: Roger Casement.Drawing upon atransnational selection of modern and contemporary texts, alongside significantarchival research, this book positions Casement as a vital and fascinating figure in the compromised and contradictory terrainof Anglo-Irish history.
