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This IBM® Redbooks® publication provides system administrators and developers with the knowledge to configure a WebSphere® Application Server V7 runtime environment, to package and deploy applications, and to perform ongoing management of the WebSphere environment. As one in a series of IBM Redbooks publications and RedpapersTM publications for V7, the entire series is designed to give you in-depth information about key WebSphere Application Server features. In this book, we provide a detailed exploration of the WebSphere Application Server V7 runtime administration process. The book includes configuration and administration information for WebSphere Application Server V7 and WebSphere Application Server Network Deployment V7 on distributed platforms and WebSphere Application Server for z/OS® V7. The following publications are considered prerequisites to this book: - WebSphere Application Server V7.0: Technical Overview, REDP-4482 - WebSphere Application Server V7: Concepts, Planning and Design, SG24-7708
This IBM® Redbooks® publication provides information about the concepts, planning, and design of IBM WebSphere® Application Server V8.5 environments. The target audience of this book is IT architects and consultants who want more information about the planning and design of application-serving environments, from small to large, and complex implementations. This book addresses the packaging and features in WebSphere Application Server, and highlights the most common implementation topologies. It provides information about planning for specific tasks and components that conform to the WebSphere Application Server environment. Also in this book are planning guidelines for Websphere Application Server and Websphere Application Server Network Deployment on distributed platforms. It also includes guidelines for WebSphere Application Server for IBM z/OS®. This book contains information about migration considerations when moving from previous releases. This book has been updated with the new features introduced with WebSphere Application Server V8.5.5.
This IBM® Redbooks® publication provides system administrators and developers with the knowledge to configure an IBM WebSphere® Application Server Version 8 runtime environment, to package and deploy applications, and to perform ongoing management of the WebSphere environment. As one in a series of IBM Redbooks publications and IBM Redpapers publications for V8, the entire series is designed to give you in-depth information about key WebSphere Application Server features. In this book, we provide a detailed exploration of the WebSphere Application Server V8 runtime administration process. This book includes configuration and administration information for WebSphere Application Server V8 and WebSphere Application Server Network Deployment V8 on distributed platforms and WebSphere Application Server for z/OS® V8. The following publications are prerequisites for this book: WebSphere Application Server V8.0 Technical Overview, REDP-4756 IBM WebSphere Application Server V8 Concepts, Planning, and Design Guide, SG24-7957
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"This book celebrates research by Australian art historians into Italian art of the sixteenth, seventeenth and eighteenth centuries. It was prompted by the exhibition The Italians: three centuries of Italian art, which opened at the National Gallery of Australia in Canberra in March 2002 before moving to Melbourne Museum where it closed in October. This exhibition brought to Australia a wide range of paintings, a few drawings, and one sculpture, drawn from museums in Rome, Florence, Milan, Genoa, and Naples, as well as works from private collections and with dealers."--Preface.
A sweeping history of premodern architecture told through the material of stone Spanning almost five millennia, Painting in Stone tells a new history of premodern architecture through the material of precious stone. Lavishly illustrated examples include the synthetic gems used to simulate Sumerian and Egyptian heavens; the marble temples and mansions of Greece and Rome; the painted palaces and polychrome marble chapels of early modern Italy; and the multimedia revival in 19th-century England. Poetry, the lens for understanding costly marbles as an artistic medium, summoned a spectrum of imaginative associations and responses, from princes and patriarchs to the populace. Three salient themes sustained this “lithic imagination”: marbles as images of their own elemental substance according to premodern concepts of matter and geology; the perceived indwelling of astral light in earthly stones; and the enduring belief that colored marbles exhibited a form of natural—or divine—painting, thanks to their vivacious veining, rainbow palette, and chance images.