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Italian Neorealist Cinema
"The end of the Second World War saw the emergence in Italy of the neorealism movement, which produced a number of films characterized by stories set among the poor and working class, often shot on location using non-professional actors. In this study Christopher Wagstaff provides an in-depth analysis of neorealist film, focusing on three films that have had a major impact on filmmakers and audiences around the world: Roberto Rossellini's Roma città aperta and Paisà and Vittorio De Sica's Ladri di biciclette. Indeed, these films are still, more than half a century after they were made, among the most highly regarded works in the history of cinema. In this insightful and carefully researche...
Twentieth-century Italian Literature in English Translation
This bibliography lists English-language translations of twentieth-century Italian literature published chiefly in book form between 1929 and 1997, encompassing fiction, poetry, plays, screenplays, librettos, journals and diaries, and correspondence.
Politics, Murder and Love in an Italian Family
What did it mean to live with fascism, communism, and totalitarianism in modern Italy? And what should we learn from the experiences of a martyred liberal democrat father and his communist son? Through the prism of a single, exceptional family, the Amendolas, R.J.B. Bosworth reveals the heart of twentieth-century Italian politics. Giovanni and Giorgio Amendola, father and son, were both highly capable and dedicated Anti-Fascists. Each failed to make it to the top of the Italian political pyramid but nevertheless played a major part in Italy's history. Both also had rich but contrasting private lives. Each married a foreign and accomplished woman: Giovanni, a woman from a distinguished German-Russian intellectual family; Giorgio, a Parisian working class girl, who, to him, embodied Revolution. This vivid and engaging biographical study explores the highs and lows of a family that was at the centre of Italian politics over several generations. Tracing the complex relationship between Anti-Fascist politics and the private lives of individuals and of the family, Politics, Murder and Love in an Italian Family offers a profound portrait of a century of Italian life.
Mussolini's Shadow
Dotyczy m. in. Polski.
Italian Venice
In this elegant book Richard Bosworth explores Venice—not the glorious Venice of the Venetian Republic, but from the fall of the Republic in 1797 and the Risorgimento up through the present day. Bosworth looks at the glamour and squalor of the belle époque and the dark underbelly of modernization, the two world wars, and the far-reaching oppressions of the fascist regime, through to the “Disneylandification” of Venice and the tourist boom, the worldwide attention of the biennale and film festival, and current threats of subsidence and flooding posed by global warming. He draws out major themes—the increasingly anachronistic but deeply embedded Catholic Church, the two faces of modernization, consumerism versus culture. Bosworth interrogates not just Venice’s history but its meanings, and how the city’s past has been co-opted to suit present and sometimes ulterior aims. Venice, he shows, is a city where its histories as well as its waters ripple on the surface.
Orson Welles in Italy
Fleeing a Hollywood that spurned him, Orson Welles arrived in Italy in 1947 to begin his career anew. Far from being welcomed as the celebrity who directed and starred in Citizen Kane, his six-year exile in Italy was riddled with controversy, financial struggles, disastrous love affairs, and failed projects. Alberto Anile's book depicts the artist's life and work in Italy, including his reception by the Italian press, his contentious interactions with key political figures, and his artistic output, which culminated in the filming of Othello. Drawing on revelatory new material on the artist's personal and professional life abroad, Orson Welles in Italy also chronicles Italian cinema's transition from the social concerns of neorealism to the alienated characters in films such as Federico Fellini's La Dolce Vita, amid the cultural politics of postwar Europe and the beginnings of the cold war.
Mussolini's Dream Factory
The intersection between film stardom and politics is an understudied phenomenon of Fascist Italy, despite the fact that the Mussolini regime deemed stardom important enough to warrant sustained attention and interference. Focused on the period from the start of sound cinema to the final end of Fascism in 1945, this book examines the development of an Italian star system and evaluates its place in film production and distribution. The performances and careers of several major stars, including Isa Miranda, Vittorio De Sica, Amedeo Nazzari, and Alida Valli, are closely analyzed in terms of their relationships to the political sphere and broader commercial culture, with consideration of their fates in the aftermath of Fascism. A final chapter explores the place of the stars in popular memory and representations of the Fascist film world in postwar cinema.
Roma di Mario Dell'Arco
“Occorre dire con chiarezza” ha scritto recentemente Pietro Gibellini “che Mario dell'Arco entra nello scelto manipolo dei poeti della letteratura italiana senza aggettivi, e senza limitazioni di tempo”. Il Catalogo della Mostra Roma di Mario dell'Arco: poesia & architettura si affianca alla pubblicazione di Tutte le poesie romanesche (a cura di Carolina Marconi) e al Convegno di studi su Mario dell'Arco (Fondazione Besso). Il Comitato per la celebrazione del centenario ha inteso rendere integrati e complementari i tre eventi. In questo quadro, la Mostra delinea un panorama generale della poliedrica produzione di Mario dell'Arco, rimandando al Convegno per gli approfondimenti critici...
