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The Disfigured Face in American Literature, Film, and Television
The face, being prominent and visible, is the foremost marker of a person’s identity as well as their major tool of communication. Facial disfigurements, congenital or acquired, not only erase these significant capacities, but since ancient times, they have been conjured up as outrageous and terrifying, often connoting evil or criminality in their associations – a dark secret being suggested "behind the mask," the disfigurement indicating punishment for sin. Complemented by an original poem by Kenneth Sherman and a plastic surgeon’s perspective on facial disfigurement, this book investigates the exploitation of these and further stereotypical tropes by literary authors, filmmakers, and...
The Face and Faciality in Medieval French Literature, 1170-1390
Modern theoretical approaches throw new light on the concepts of face and faciality in the Roman de la Rose and other French texts from the Middle Ages.
Anti-Portraits: Poetics of the Face in Modern English, Polish and Russian Literature (1835-1965)
Anti-Portraits: Poetics of the Face in Modern English, Polish and Russian Literature (1835-1965) is a study of a-physiognomic descriptions of the face. It demonstrates that writers such as George Eliot, Leo Tolstoy, Edgar Allan Poe, Nicolay Gogol, Virginia Woolf and Witold Gombrowicz vigorously resisted the belief that facial features reflect character. While other studies tend to focus on descriptions which affirm physiognomy, this book examines portraits which question popular face-reading systems and contravene their common premise – the surface-depth principle. Such portraits reveal that physiognomic formula is a cultural construct, invented to abridge, organise and regulate legibility of the human face. Most importantly, strange and ‘unreadable’ fictional faces frequently expose the connection between physiognomic judgement and stereotyping, prejudice and racism.
The Face
A revelatory short memoir from the author and Zen Buddhist priest Ruth Ozeki about how her face has shaped and been shaped by her life
Faces in the Crowd
In the heart of Mexico City a woman, trapped in a house and a marriage she can neither fully inhabit nor abandon, thinks about her past.She has decided to write a novel about her days at a publishing house in New York; about the strangers who became lovers and the poets and ghosts who once lived in her neighbourhood. In particular, one of the obsessions of her youth - Gilberto Owen - an obscure Mexican poet of the 1920s, a marginal figure of the Harlem Renaissance, a busker on Manhattan's subway platforms, a friend and an enemy of Federico Garca Lorca. As she writes, Gilberto Owen comes to life on the page: a solitary, faceless man living on the edges of Harlem's writing and drinking circles at the beginning of the Great Depression, haunted by the ghostly image of a woman travelling on the New York subway. Mutually distorting mirrors, their two lives connect across the decades between them, forming a single elegy of love and loss.
Face Value
The scientific story of first impressions—and why the snap character judgments we make from faces are irresistible but usually incorrect We make up our minds about others after seeing their faces for a fraction of a second—and these snap judgments predict all kinds of important decisions. For example, politicians who simply look more competent are more likely to win elections. Yet the character judgments we make from faces are as inaccurate as they are irresistible; in most situations, we would guess more accurately if we ignored faces. So why do we put so much stock in these widely shared impressions? What is their purpose if they are completely unreliable? In this book, Alexander Todor...
Changing the Face of Canadian Literature
"A collection of poetry, fiction and non-fiction that celebrates Canada's diverse literary voices. That's what this anthology is: It's a celebration. A moment to cry out, 'Look how many of us have a voice! There are stories, and poetry in this country that are about people like me! I am not alone!'"--
The Hero with a Thousand Faces
A study of heroism in the myths of the world - an exploration of all the elements common to the great stories that have helped people make sense of their lives from the earliest times. It takes in Greek Apollo, Maori and Jewish rites, the Buddha, Wotan, and the bothers Grimm's Frog-King.
The Stone Face
A roman à clef about racism, identity, and bohemian living amidst the tensions and violence of Algerian War-era France, and one of the earliest published accounts of the Paris massacre of 1961. As a teenager, Simeon Brown lost an eye in a racist attack, and this young African American journalist has lived in his native Philadelphia in a state of agonizing tension ever since. After a violent encounter with white sailors, Simeon makes up his mind to move to Paris, known as a safe haven for black artists and intellectuals, and before long he is under the spell of the City of Light, where he can do as he likes and go where he pleases without fear. Through Babe, another black American émigré, ...
