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Deeply influenced by studies of female iconology, the medieval, the subconscious, and hybrid bodies, Faith Wilding's art is instantly recognizable. In keeping with Wilding's own artworks, this book is a bricolage: memoirs and watercolors sit alongside critical essays and family photographs to form an overall history of both her life and works, as well as the wider feminist art movement of the 1970s and beyond. This collection spans fifty years of her artistic production, feminist art pedagogy, and participation in, and organizing of, feminist art collectives, such as the Feminist Art Program, Womanhouse, Womanspace Gallery, and the Woman's Building. Featuring contributions from scholars and artists, including Amelia Jones, the book is the first of its kind to celebrate the career of an artist who helped shape the feminist art of today.
Deeply influenced by studies of female iconology, the medieval, the subconscious, and hybrid bodies, Faith Wilding's art is instantly recognizable. In keeping with Wilding's own artworks, this book is a bricolage: memoirs and watercolors sit alongside critical essays and family photographs to form an overall history of both Wilding's life and works as well as the wider feminist art movement of the 1970s and beyond. This collection spans fifty years of Wilding's artistic production, feminist art pedagogy, and participation in, and organizing of, feminist art collectives, such as the Feminist Art Program, Womanhouse, Womanspace Gallery, and the Woman's Building. Featuring contributions from scholars and artists, including Amelia Jones, the book is the first of its kind to celebrate the career of an artist who helped shape the feminist art of today. Intimate, philosophical, and insightful, Faith Wilding's Fearful Symmetries is a beautiful book intended for artists, scholars, and a broader audience.
"This provocative book makes it perfectly clear that feminism is not dead - it's a critical weapon...a must read for all becoming cyberfeminists and autonomous agents!" Elizabeth Hess, writer/critic"If you want another e-feminist volume rehashing Lacan, weaving as metaphor, or the icon as on-line identity, don't buy this book. These cyberfeminists take no prisoners as they march through the virtual territories of postcolonial power vectors in an attempt to establish living models of resistance. Lock and load, ladies!" Critical Art Ensemble"This exceptional collection of writings and artist projects performs a resistant feminist politics. Charting new strategies and practices, the authors ima...
DIVA collection of writings from the influential feminist art journal M/E/A/N/I/N/G, with a forward by Johanna Drucker./div
Interpreting the meaning of hospitality in an unwelcoming political moment Amid xenophobic challenges to America’s core value of welcoming the tired and the poor, Irina Aristarkhova calls for new forms of hospitality in her engagement with the works of eight international artists. In this first monograph on hospitality in contemporary art, Aristarkhova employs a feminist perspective to critically explore the artworks of Ana Prvački, Faith Wilding, Lee Mingwei, Kathy High, Mithu Sen, Pippa Bacca, Silvia Moro, and Ken Aptekar and asks who, how, and what determines who is worthy of our welcome. Spanning a diverse range of contemporary art practices, Arrested Welcome shows how artists challen...
Looks at the development of American avant-garde art, including performance art, environmental art, conceptual art, video, and photo-realism.
Rewilding the Church explores afresh the compelling invitation of Jesus to ‘Follow me’ and the call to ‘throw off everything that hinders and entangles’. It poses provocative questions and issues a call to contribute to the great rewilding of the Church – and to be rewilded ourselves. The same human instincts that have disrupted our natural environment have also constrained and domesticated the Church and Rewilding the Church commends a rediscovery of the adventure of faith.
Catalog of the exhibition held at the Phebe Conley Gallery, Fresno, Calif., Aug. 26-Oct. 9, 2009.
‘A poignant, practical and moving story of how to fix our broken land, this should be conservation's salvation; this should be its future; this is a new hope’ – Chris Packham Winner of the Richard Jefferies Society / White Horse Book Shop Award for Nature Writing In Wilding, Isabella Tree tells the story of the ‘Knepp experiment’, a pioneering rewilding project in West Sussex, using free-roaming grazing animals to create new habitats for wildlife. Part gripping memoir, part fascinating account of the ecology of our countryside, Wilding is, above all, an inspiring story of hope. Highly Commended by the Wainwright Prize for Nature Writing 'One of the landmark ecological books of the decade' – The Sunday Times
In 1970, Judy Chicago and fifteen students founded the groundbreaking Feminist Art Program (FAP) at Fresno State. Drawing upon the consciousness-raising techniques of the women's liberation movement, they created shocking new art forms depicting female experiences. Collaborative work and performance art – including the famous "Cunt Cheerleaders" – were program hallmarks. Moving to Los Angeles, the FAP produced the first major feminist art installation, Womanhouse (1972). Augmented by thirty-seven illustrations and color plates, this interdisciplinary collection of essays by artists and scholars, many of whom were eye witnesses to landmark events, relates how feminists produced vibrant bo...