You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
An anthology of Pas'hto poetry, The Hidden Treasure (Pata Khazana) was written in 1728-29 by Mohammad under the patronage of emperor Shah Hussain Hotak. The author of the book was an outstanding literary figure of his time in Qandahar and sanctified this work to Pas'hto poets. The book is written in three parts: The first is dedicated to poets of the past from the eighth to the seventeenth century. The second deals with contemporary poets of Mohammad Hotak's time and the third refers to known poetesses of the Pas'hto language. At the end of the book the author talks about his life and literary prowess. It was translated into Persian by Professor Abdul Hay Habibi in 1944. He also provided detailed annotations of literary works and historical events, and a list of over 200 words which are out of use in the language now or are rarely used. In presenting the importance of the book Professor Habibi provides notes on its prose and poetry by examining the history of Pas'hto prose.
"UNESCO publication, released on 18 February 2016, brings together insights from States Parties, Site Managers and other stakeholders involved in the protection, conservation and management of World Heritage properties in the region. It gives an in-depth look at the current trends and practices while presenting a clear vision for future priorities"--Publisher's description.
Sagalassos, once the metropolis of the Western Taurus range (Pisidia, Turkey), was only thoroughly surveyed in 1884 and 1885 by an Austrian team directed by K. Lanckoronski. In 1986-1989 this work was resumed by a British-Belgian team co-directed by Dr. Stephen Mitchell (University College of Swansea) and by Prof. Dr. Marc Waelkens (Catholic University of Leuven). In 1990 Sagalassos became a full scale Belgian project and a leading center for interdisciplinary archaeological and archaeometrical research. Due to its altitude, the site is one of the best preserved towns from classical antiquity, with a rich architectural and sculptural tradition dating from the second century BC to the sixth c...
None
Considered a classic of comparative law and legal systems, this book has been twice reprinted since its first appearance 50 years ago, and is now available in a high-quality digital edition. No work has so openly and extensively—using hands-on observations by leading legal figures of the time—compared appellate courts in two common law countries. While much comparative work contrasts civil law systems with those of the common law, this study teased out substantial, impactful differences even within two traditional common law systems. The original project grew out of an intensive experiment in comparing the U.S. and English appellate courts, by which highly recognized American and English...
This is an interdisciplinary feminist reader about women in modern Turkish society put together by Turkish women scholars. The contributors demonstrate the problems inherent in existing social and economic institutions, the failed promises of education and development programmes, and the media's continuing dissemination of traditional sexual stereotypes. They consider power relationships within families and explore women's political participation.
Rarely do we come across books on musical instruments. And one covering the whole gamut of Indian Classical musical instruments is practically unheard of. This book by Dr. Suneera Kasliwal covers almost all instruments in vogue in the classical music scenerio of southern and northern India. Apart from delving deep into the history and evaluation of each of these instruments , this well researched book deals with their structural and manufacturing details and the basic techniques of sound production. Beautifully illustrated, this book is recommended for all those who have genuine interest in Indian Classical music and instruments.
Poems as told by the broken-hearted smiling person. Just because someone smiles and wants to bring the world joy doesn't mean they don't know pain. They may know it all too well...