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In the rugged Australian Outback, three generations of Clearys live through joy and sadness, bitter defeat and magnificent triumph, driven by their dreams, sustained by remarkable strength of character... and torn by dark passions, violence and a scandalous family legacy of forbidden love. The Thorn Birds is a poignant love story, a powerful epic of struggle and sacrifice, a celebration of individuality and spirit. Most of all, it is the story of the Clearys' only daughter, Meggie, who can never possess Ralph de Bricassart, the man she so desperately adores. Ralph will rise from parish priest to the inner circles of the Vatican... but his passion for Meggie will follow him all the days of his life. Praise for The Thorn Birds: 'One of the biggest-selling, most widely read books in the history of fiction' Observer 'I simply could not put it down' Daily Mail
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Based on the phenomenal growth of Quinn's popularity, and her four-week stint on the New York Times bestseller list with Romancing Mr Bridgerton, it's the perfect time to revisit Ms Quinn's 'splendid' storytelling. American heiress Emma Dunster has always been fun-loving and independent with no wish to settle into marriage. She plans to enjoy her Season in London in more unconventional ways than husband-hunting. But this time Emma's high-jinks lead her into dangerous temptation... Alexander Ridgely, the Duke of Ashbourne, is a notorious rake who carefully avoids the risk of love...until he plants one reckless kiss on the sensuous lips of this high-spirited innocent...and condemns himself to delicious torment. Little does he know that his passion has touched the very soul of the lovely enchantress...and committed them both to a lifetime of splendid ecstasy.
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An attempt to come to grips with the family saga as formal narrative.
The family saga is made up of an accumulation of separate family legends. These are the stories of the old folks and the old times that are told among the family when they gather for funerals or Thanksgiving dinner. These are the "remember-when" stories the family tells about the time when the grownups were children.
A Jamaican Family’s Saga 2 By: Leonard Archie Wilson A Jamaican Family’s Saga 2 is a continuation and climax of A Jamaican Family’s Saga, the original work by Leonard Archie Wilson, a fictionalized biography of the life of Althea Ulrica Richardson, his actual mother. The matriarch is portrayed by Ulrica Richards, from her birth to her death. The story resurrects a true incident in the life of Althea. In the 1940s in Jamaica, her youngest brother, Real, was either murdered or accidentally devoured by sharks off the coast of the island. In the fictionalized account, one of her sons and his wife pull off a Macmillan and Wife style investigation to almost solve this seventy-two-year-old mystery.
The 1950s are in full swing, and the Adams family is blessed with many new additions. Chinese Lady now has so many grandchildren that even she can sometimes scarcely remember them all. Boots and Sammy are kept up-to-date by the Adams youngsters , some of whom are now working in the family business. But they also welcome newcomers , including the lovely Anneliese, whose German ancestry makes her less than popular with some of her South London neighbours, and Joe and Hortense , newly arrived from the West Indies and working hard for Matt and Rosie on their farm in Kent. Sammy, meanwhile, has trouble with the newly-formed trade union at his factory, and the shadows of the war continue to haunt the family when Felicity's hopes for an operation which will save her sight are threatened by an extraordinary revelation. But the Adams family is still full of hope and promise for the future.
Configuring Memory in Czech Family Sagas: The Art of Forgetting in Generic Tradition explores how literature may configure family memory. Family sagas can be viewed as a structure helping us to share our memories. Special attention will be paid to crucial generic motifs within family sagas, as well as to elements of the narrative structure, which hold powerful memory-forming potential. The book proves that this potential can be fulfilled in two ways. The genre under analysis tends to strengthen the “bad family memory” and consider it as a burden, and to encourage one to forget their family past. Despite the prevalence of the saga as a cultural form right across mass media, the literary genre of the family saga has not attracted intensive critical acclaim. Readers of this book will not only learn more about the genre of family saga but also be encouraged to reflect on their own family memories.
In the introduction to this volume, George Coats discusses narrative in general and the principal Old Testament narratives in particular. He then sets the book of Genesis in its larger Old Testament context, analyzing its major sections and subsections, and uses the succeeding chapters to treat each of the major sections individually.